20.1.26

44. Viola tricolor. (Svensk botanik I)

Svensk botanik,
utgifven af J. W. Palmstruch,
Första Bandet.
Andra upplagan.
Med Konungens nådigste Privilegium.
Stockholm,
Tryckt hos Carl Delén, 1803.

Keto-orvokki

44. Viola tricolor

Trefärgad viol. Styfmorsblommor. Skateblomster. Blåhvissil. Blåläcker. Penséer.

...

Om saften af stötta blomblad pressas genom linne, så fås blå färg lik lakmus, och när den inkokas och under kokningen till kulor eller små kakor formeras, så kan färgen förvaras och vid behof lätt i vatten upplösas. Aluneradt ullgarn doppadt i blombladens saft, får blyfärg, som ej af vatten uttvättas. HAASE berättar, att under olika villkor kunna färgerna blekgult, blekgrönt, blått, grått och brunt af denna blomma erhållas.

[Listattu kirjassa hakemiston kohdassa färgväxter.]

19.1.26

40. Tilia europæa (Svensk botanik I)

Svensk botanik,
utgifven af J. W. Palmstruch,
Första Bandet.
Andra upplagan.
Med Konungens nådigste Privilegium.
Stockholm,
Tryckt hos Carl Delén, 1803.

Tilia ×europaea, Puistolehmus

40. Tilia europæa

LIND. Linnträd. På Finska: Nynipuu.

[Tillägg / Svenska Botanik II, 1803]: Nr. 40. LIND. Af inre barken kan göras brunt och grått papper.

36. Pinguicula vulgaris (Svensk botanik I)

Svensk botanik,
utgifven af J. W. Palmstruch,
Första Bandet.
Andra upplagan.
Med Konungens nådigste Privilegium.
Stockholm,
Tryckt hos Carl Delén, 1803.

Siniyökönlehti

36. Pinguicula vulgaris

Fetört. Tätgräs. Fetnacke. Kråkört. På Finska: Yököin-lehti.

...

Får sägas ej tåla denna planta, och löss skola dö af dess saft, med hvilken hår kunna färgas gula.

[Listattu kirjassa hakemiston kohdassa färgväxter.]

18.1.26

35. Isatis tinctoria (Svensk botanik I)

Svensk botanik,
utgifven af J. W. Palmstruch,
Första Bandet.
Andra upplagan.
Med Konungens nådigste Privilegium.
Stockholm,
Tryckt hos Carl Delén, 1803.

Värimorsinko

35. Isatis tinctoria

Vejde

Rotbladen äro i brädden naggade; stjelkbladen sitta skiftevis, äro helbräddade och vid basen nästan pil- lika, stjelkomfattande. Fröskidorna aflånga och hoptryckta.

Linn. Flora Su. p. 238. Cl. 15. TETRADYN. siliculose. Liljebl Sv. Fl. s. 270. Klass. 12. FYRVÄLD: kortskid: P. S. Hush. Jurn. 1776, 1787. 1789. se Registret Art. Indigo. Hjelm Afhandl. om Indigos tillverkn. af Vejde - örten. Stockholm 1801. 36 sid. i 8:0. Descript. des arts et metiers, l'Art de l'Indigotier par M. de Beauvais Raseau, 1770 fol. Scheffers Kem. Föreläsn. 2: dra uppl. s. 491.

Denna 2:åriga Färgväxt träffas vild på Gottland, Öland och i skärgården vid Calmar samt Finland. Stjelken är stundom 3 4 fot hög och bär guldgula blommor i Juli månad. Stiftet eller pistillens medlersta del saknas, men dess ofversta del som kallas Märket är trubbigt och knapplikt. Inom de 2 tunna skidskalen förvaras fröet.

RAAKAKÄÄNNÖS: Kasveista, jotka muuttuvat mustiksi tai sinertäviksi hitaan kuivumisen aikana, saattaa saada indigoa. Morsingon lehdet kerätään tähän tarkoitukseen, kun alemmat lehdistä alkavat kellastua; ne levitetään tasaisesti ja niiden päälle kaadetaan mieluiten sadevettä; rauta- tai kipsipitoinen [kalkkipitoinen] vesi ei sovellu tarkoitukseen. Lehtimassa laitetaan kohtalaisen voimakkaaseen puristukseen prässissä, ja sen annetaan käydä, kunnes vihreän veden pinnalle ilmestyy sininen kalvo; silloin kokeillaan pyörittämällä tai sekoittamalla lientä lasissa, voidaanko sinisen ja keltaisen väriaineen hiukkaset, jotka yhdessä aiheuttivat vihreän värin, erottaa: silloin vesi muuttuu keltaiseksi ja sininen putoaa lasin pohjalle. Jos näin käy, väriliemi valutetaan toiseen astiaan, jossa sitä sekoitetaan ja työstetään riittävästi, kunnes sininen ja keltainen erottuvat. Se ansaitsisi tarkempaa tutkimusta, jos ei, niin kalkkivesi, virtsa tai lipeäsuolan liuottaminen voisi tehdä tästä työstä tarpeetonta. Sekoituksen aikana väriaine usein vaahtoaa ja meinaa tulla yli; tätä auttaa muutama tippa öljyä tai traania, jotka sekoitetaan joukkoon. Työstetty väriliemi jätetään 3–4 tunniksi laskeutumaan ja lopuksi pannaan pusseihin veden haihduttamiseksi. Lopuksi massa leikataan paloiksi, jotka kuivataan lämpimässä huoneessa, ja jotka muodostavat indigoa. Ranskalaista Pastellia ja saksalaista Waidia, joilla värjätään pelkässä vedessä kellanruskeaa, mutta lipeäsuolalla ja käymisen jälkeen sinistä, saadaan jauhetuista ja kuivatuista morsingon lehdistä, jotka kostutetaan ja annetaan käydä, muodostetaan palloiksi, jotka kuivataan ja hajoitetaan, ja lopuksi pakataan tynnyreihin ja varastoidaan. Kevyt siemen sekoitetaan hiekkaan tai hakkeeseen ja kylvetään tyynellä säällä melko harvaan huhti- tai toukokuussa; maaperän tulee olla irtonaista ja hieman ravintekkaista[?]; kuivuus vahingoittaa kasvia, jonka lehdet voidaan kerätä 2–3 kertaa kesässä indigon valmistamiseksi. [---]Alla växter, som under långsam torkning svartna eller blifva blåaktiga, ge hopp att derur kan erhållas Indigo. Af Vejde samlas till detta ändamål bladen då de nedersta börja gulna; de utbredas jemt, och helst regnvatten slås derpå: ty vatten med jern- eller gipshalt duger ej. Med en måttligt tung press, lemnas detta att gäsa, till dess en blå hinna synes på det gröna vattnets yta; då försökes genom sqvalpning eller omrörning i ett glas, om de blå och gula färgpartiklarna, som tillsammans orsakade gröna färgen, kunna åtskiljas: ty då blir vattnet gult och det blå faller till botten i glaset. Händer detta, så aftappas färgsoppan i ett annat käril, hvarest den röres och arbetas tillräckligt, till dess den skär sig (det blå och gula åtskiljes ). Det förtjente nogare undersökning, om icke kalkvatten, urin eller lutsalts upplösning skulle kunna göra detta arbete öfverflödigt. Under rörningen skummar sig ofta färgsoppan och vill pösa öfver; detta hjelpes med några droppar olja eller tran, som slås uti. Den arbetade färgsoppan lemnas 3-4 timmar i stillhet att sätta sig, och uplöses slutligen i påsar, för att låta vattnet afrinna. Sist skäres massan i stycken, hvilka torkas i varmt rum och utgöra Indigo. Fransosernas Pastel och Tyskarnas Waid, hvarmed färgas i vatten ensamt, gulbrunt, men med lutsalt och under gäsning, blått, fås af malna och torkade Vejdeblad, som fuktas och lemnas att gäsa, formeras i bollar, som torkas och sedan şönderslås, samt sist inpackas i tunnor och förvaras. Fröet som är lätt, blandas med sand eller hackelse, och sås i lugnt väder, ganska glest, i April eller Maj månader; jorden bör vara lös och något fet; af torka skadas växten, som till Indigoberedning kan afbladas 2-3 gånger om sommaren. Ett Svenskt geom. tunnland fordrar 6½ skålp. af Vejde - fröet; det ligger 4 veckor i jorden; bör sedan rensas från ogräs, och de stånd, som äro för tätt sådda måste uppryckas.

Fig. a. visar en något förstorad blommā; b. pistillen med ståndarne; c. ett blomblad; d. en öppnad fröskida; e. rotblad.

[Listattu kirjassa hakemiston kohdassa färgväxter.]

17.1.26

34. Lichen islandicus. (Svensk botanik I)

Svensk botanik,
utgifven af J. W. Palmstruch,
Första Bandet.
Andra upplagan.
Med Konungens nådigste Privilegium.
Stockholm,
Tryckt hos Carl Delén, 1803.

Cetraria islandica

34. Lichen islandicus.

Islands-laf. Hedemossa. På Finska: Kangas-jäkälä. Islannin-jäkälä.

...

Ylle och silke kunna dermed få svartbrun och karmelit-färg.

[Listattu kirjassa hakemiston kohdassa färgväxter.]

[Tillägg / Svenska Botanik II, 1803]: Nr. 34, ISLANDSLAF. Fl. d. Wett. Sönderskuren och kokad i jernkittel, sätter den mörkgul färg på ylle och med tillsats af tensolution och Salmiak, ljusare och mörkare brunt. Hästar, hornboskap och svin äta lafven, som äfven skall kunna brukas till garfning.
Das neueste aus Engl. 2:s Heft. s. 22. 1801. 8:vo. Lord Dundonald har funnit ett sätt att af de flesta lafarter (Lichenes) erhålla ett Gummi, som fullkomligen skall likna Senegal- Gummi, och kunna brukas vid kattunstryckerier, pappersbruk, sidenstyfningar, till skrifbläck, m. m. Dessa växter hysa, utom gummi, äfven harts och ett ämne, som liknar djuriska substanser, jemte något ringa fiberartadt ämne. Genom flera gånger pågjutit kokhett vatten sväller lafven, ytan och det derunder liggande hartsämnet afsöndrar sig och afsköljes; sedan lägges lafven i en kopparkittel med tillräckligt vatten, kokas litet och tillägges derpå 3 uns soda till 3 # laf, och kokas sedan 4-5 timmar eller till dess afkoket synes innehålla nog gummösa delar: då silas det, och det som ej går igenom, slås i en påse och pressas. Det qvarblifna i påsen kokas 3 gånger, och det sista afkoket nyttjas att deri koka en ny portion laf; de öfriga afkoken slås tillsamman och afdunst as i tennkärl mycket långsamt till dess gummi fås deraf. Om intet soda eller lutsalt tillsättes, måste inkokningen längre fortsättas, och gummi blir då nästan färglöst. Af det ämnet som efter pressningen är qvar, tillredes en art såpa.

33. Sambucus nigra. (Svensk botanik I)

Svensk botanik,
utgifven af J. W. Palmstruch,
Första Bandet.
Andra upplagan.
Med Konungens nådigste Privilegium.
Stockholm,
Tryckt hos Carl Delén, 1803.

Mustaselja

33. Sambucus nigra.

Fläder. Hyll. Fulbom. På Finska: Seljapuu. Hejsipuu.

...

På linne kan sättas mörkbrun färg med bären, hvilka äfven meddela desmanslukt åt vin och döda höns.

[Listattu kirjassa hakemiston kohdassa färgväxter.]

[Tillägg / Svenska Botanik II, 1803]: Nr. 33. FLÄDER. Fl. d. Wett. Bärsaften skall sätta blå färg på läder och garn.

29. Rosa canina. (Svensk botanik I)

Svensk botanik,
utgifven af J. W. Palmstruch,
Första Bandet.
Andra upplagan.
Med Konungens nådigste Privilegium.
Stockholm,
Tryckt hos Carl Delén, 1803.

Kaljukoiranruusu

29. Rosa canina.

NYPONBUSKE. Törne. Vild Törnrosbuske. Njupetorn. Göper. Juglon. Klunger. På Finska: Orjantappura.

[Tillägg / Svenska Botanik II, 1803]: Nr. 29. NYPONBUSKE. Fl. d. Wett. Bladen kunna nyttjas till garfning; barken till mörkbrun färg på ylle och roten samt veden gifva smutsgul färg.

16.1.26

19. Tormentilla erecta (Svensk botanik I)

Svensk botanik,
utgifven af J. W. Palmstruch,
Första Bandet.
Andra upplagan.
Med Konungens nådigste Privilegium.
Stockholm,
Tryckt hos Carl Delén, 1803.

Potentilla erecta, rätvänä

19. Tormentilla erecta

Blodrots-ört. På Finska: Lärvenäjuuri.

...

Invånarne på Orkaderne och Ferröarne betjena sig af roten till garfning och skall lädret deraf blifva fastare och bättre än af Ekbark. Lapparne rödfärga läder med saliven då roten tuggas.

[Tillägg:] Scheffers Kem. Förel. Stockh. 1796. s. 508. Svart bläck tillredes af 1½ lod torkad och pulveriserad Blodrot och 7 uns regn- eller ström-vatten; detta kokas tillhopa några minuter, då 3 qvint. Jernviktriol (grön viktriol), 1 qvint. Gummi arab. och 1 quint. brun bresilja tilläggas.

[Listattu kirjassa hakemiston kohdassa färgväxter.]

13. Ulmus campestris. (Svensk botanik I)

Svensk botanik,
utgifven af J. W. Palmstruch,
Första Bandet.
Andra upplagan.
Med Konungens nådigste Privilegium.
Stockholm,
Tryckt hos Carl Delén, 1803.

Ulmus glabra, Vuorijalava

13. Ulmus campestris.

ALM.

[Tillägg / Svenska Botanik II, 1803]: Nr. 13. ALM. Fl. d. Wett. Barken användes till färgning.

15.1.26

9. Convallaria majalis. (Svensk botanik I)

Svensk botanik,
utgifven af J. W. Palmstruch,
Första Bandet.
Andra upplagan.
Med Konungens nådigste Privilegium.
Stockholm,
Tryckt hos Carl Delén, 1803.

Kielo

9. Convallaria majalis.

Lillekonvall. Lilkovalje. Gliseblad. Haröron. På Finska: Lehmän-Kieli. Koiran-Kieli.

...

Bladen samlade före midsommar sägas gifva vacker gul färg, och med kalk tillagade, grön färg (Gunner, Haller).

[Listattu kirjassa hakemiston kohdassa färgväxter.]

7. Daphne mezereum. (Svensk botanik I)

7. Daphne mezereum.

Svensk botanik,
utgifven af J. W. Palmstruch,
Första Bandet.
Andra upplagan.
Med Konungens nådigste Privilegium.
Stockholm,
Tryckt hos Carl Delén, 1803.

KÄLLERHALS - BUSKE. Tidbast. Kivitbast. Tivelbast. På Finska: Näsiän marja.

[Tillägg / Svenska Botanik II, 1803]: Nr. 7. KÄLLER HALSBUSKE. Fl. d. Wett. Enligt Beckman skall svagt dricka stundom förfalskas och göras till smaken liksom starkare, med källerhalsbusken, hvars bär Målare nyttja till röd färg, och af hvars grenar samt blad, gul eller brun färg kan sättas på beredda (betade) tyger; rotbarken tjenar till papper.

Underrättelse. (At sätta Paille färg.)

Underrättelse.
Tryckt af Georg Wilh. Londicer, Wasa 1781.
4:0, 1 bl.

At sätta Paille färg på Ylle.

Til et skålpund Garn tages 1 lod Alun, 1 lod Winsten, 1 lod Krapp, som lägges tilsammans 4 kannor watn at upkoka. Sedan lägges Garnet uti at koka til dess man ser at det får en Paille-färg, då det uptages och sköljes.

Paille-Färg på Sidentyg.

Dertil tages 2 lod Alun, 2 Lod hwit Winsten, 2 lod Krapp och upkokas i tre kannor watn. Sedan rörer man det wäl omkring lägger Tyget uti, och låter det koka en fierdedels timma, hwarester Tyget uptages och sköljes.

Paille-färg pä Lärft och Linne.

Låt 4 kannor watn, 1 lod röd Winsten, 2 lod Alun och 1 lod Krapp koka tilsammans; rör det flitigt om, lägg Garnet eller Lärstet deruti, och låt det koka en fierdedels timma. Sedan tager man Garnet som bör få blifwa kallt och sedan sköljas.

 

För dem som äro i tilfälle at nyttja gamla Sidentyger och Taffter til omfärgning, tjenar följande til underrättelse:

At uttaga färgor utur allehanda färgade Tyger utom Grönt, Blätt och Swart.

Man sätter en Kittel på elden med tre kannor watn, låter det blifwa hett, wispar då deri et fierdedels skålpund Tysk Såpa, och wispar det wäl omkring. Sedan sätter man Sidentyget deruti och låter det koka en timma, hwarefter det tages up, sköljes först i warmt watn och sedan i kallt, och så tårckas; hwarefter den har förut beskrefne färgen kan derå sättas.

Har man mörkblått eller mörkgrönt och färgen stal tagas ut, så sätter man en Kittel på elden med kre kannor watn, läter det koka upp, och slår en half mark Skedwatn deruti; sedan lägger man in Tyget och låter det ligga til des färgen aldeles går ut, då det tages up, sköljes i warmt watn, sedan i annat watn, och så tårckas. När man har swart, ljusgrönt eller blomerant tyg, så tager man 12 lod Skedwatn, och gör sedan såsom med det mörkblåa.

14.1.26

The Art of Dyeing. (Recipes 287-301) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

287. To Dye Mixed Fabrics one Color.

If the mixed fabrics are required to be dyed one uniform color, the double process has often to be adopted, especially for cotton and woolen fabrics, thus:

288. Black on Cotton and Woolen Goods.

First dye the woolen according to No. 192; then, after steeping the goods in sumach, dye the cotton by receipt No. 139.

289. Brown on Cotton and Woolen Goods by one Process.

Work for 2 hours in catechu, as in No. 147; then work at a boiling heat for an hour with 8 ounces bichromate of potassa and 2 ounces tartar; next work for an hour in 2 pounds fustic and 8 ounces cudbear; wash and dry. For a deeper shade, or of a more chocolate hue, add 4 ounces logwood to the cudbear.

290. Black on Silk and Woolens by one Process.

Work for an hour in a solution of 8 ounces tartar and 8 ounces copperas; wash out, then work for 15 minutes in a decoction. of 4 pounds logwood; lift, and add 1 ounce chrome; work for 30 minutes and dry.

291. Black on Cotton, Silk and Wool, by one Process.

Steep for 6 hours in 2 pounds sumach; then work for an hour in a solution of 6 ounces tartar, 6 ounces sulphate of copper, and 6 ounces copperas; wash out, and then work for half an hour in a decoction of 4 pounds logwood; lift, and add 1 ounce copperas; work for 10 minutes, wash and dry.

292. Deep Black.

To obtain a very deep black, add 1 pound of bark to the logwood, and proceed as in last receipt.

293. Drabs on Cotton, Silk and Wool, by one Process.

Work for half an hour in 8 ounces copperas and 4 ounces tartar; lift and drain; then work for half an hour in 4 ounces logwood and 1 ounce bichromate of potassa; wash out and dry. By varying the quantity of logwood, and by introducing a little fustic or peachwood in combination with the logwood, a great variety of drabs, slates or fawns can be produced.

These few receipts for mixed fabrics will show the care required in such operations, although, by practice, they become comparatively simple.

294. To Detect Animal or Vegetable Fibres.

Treat the fabric with bichloride of tin heated to from 130° to 150° Fahr., when the cotton and linen become black, and the wool and silk remain unchanged.

295. To Detect Mixed Fabrics of Cotton and Wool.

Dip a piece of the cloth in bleaching liquor; after a little while the woolen turns yellow, and the cotton white, and may easily be distinguished.

290. To Detect Cotton in Linen.

The piece to be tested should be boiled to remove all dressing, and then dried; put a portion of the piece into common vitriol for about one minute; take it out and wash it in water several times, and then into a weak solution of soda or potash, and all the gummy matter formed is removed by gentle rubbing. By this process the cotton is dissolved and the linen remains, or any portion of the cotton that is not dissolved becomes opaque white, while the linen is transparent. By comparing the portion thus tested, with a similar portion not tried, the quantity of cotton present can easily be estimated.

297. To Detect Cotton in Linen.

Take a small piece of the cloth, boil in water and dry; then take 3 parts, by weight, of sulphuric acid, and 2 parts of crushed nitrate of potassa; put the dry piece of cloth in this mixture fur 6 or 7 minutes, and then wash it in water until there is no taste of acid; dry it at a gentle heat; next put it into a mixture of other and alcohol, which will dissolve the cotton and not the linen. If the piece be weighed before and after putting it into the ether and alcohol, the quantity of cotton in the fabric can be accurately ascertained.

298. To Distinguish Cotton and Wool

Take a small piece of the cloth and boil in caustic soda; the wool will be dissolved, and the cotton remain. If the threads have been previously counted, their relative mixture can be found.

299. To Detect Cotton with Silk or Wool.

Put a piece of the cloth into chlorine water or bleaching liquor. The cotton is whitened, and the silk and wool turn yellow, and can easily be distinguished by the aid of a pocket lens.

300. To Detect Cotton in Silk or Wool

Take a small piece and unravel the threads, and inflame them; the cotton burns away freely and leaves little or no black charcoal; the wool and silk shrivel up, leave a black charcoal, and give a strong smell.

Decidedly the best and safest method, and one applicable in all cases, is a microscopic examination, by which not only the structure, but also the nature of the fibre can be demonstrated. Cotton, wool and silk are easily distinguished by the microscope, as they differ materially in appearance. Cotton forms flat, narrow ribbons, curled up in spirals like those of a corkscrew; wool fibre is stouter than all others, and maybe recognized by its 1 scaly surface, while silk is the thinnest fibre, has the smoothest surface, and possesses the least structure. These appearances are very characteristic, and any one who has observed them once will ever afterwards recognize them again at first sight.

301. To Distinguish Silk and Wool in Fabrics.

Silk can always be identified in a mixture with any other animal or vegetable fibre by means of concentrated hydrochloric acid, which dissolves it completely and immediately, without appreciably affecting any woolen or woody fibre with which the silk may have been interwoven. Strong sulphuric acid has also a powerful solvent effect upon silk, and is likewise much more destructive in its action upon cotton than the other acid. Should it be desired to determine the nature of any fibres remaining after the solution of the silk, it is first necessary to wash and collect them, when they will usually be found destitute of color. To decide whether wool is present or absent, a solution of picric acid may be employed, which instantly imparts is full yellow tint to the wool, but does not in the least affect cotton, linen, or China grass; so that it is only necessary to immerse the fabric in the dye, wring it out, and wash well with water. Should any portion remain of a yellow color, the presence of wool is indicated. Other methods can be employed similar in principle, but the picric acid is believed to be best. Discrimination between the different kinds of fibre can best be prosecuted by means of the microscope, but their quantity is best found by dissolving away one fibre, as already directed, and weighing.

The Art of Dyeing. (Recipes 283-286) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

283. To Dye Mixed Fabrics Two Colors.

Mixed fabrics of cotton and wool, such as coburgs, damasks, &c., may be dyed all of one color, or the cotton and wool in them each dyed a different color. This is seldom done except with new goods, or with very light colored goods which are desired to be dyed dark colors. As the process for dyeing woolen swill seldom impart the same color to cottons, the two are dyed separately, and the method is quite simple. For most colors it is necessary to dye the woolen portion first, and then the cotton; but in a few cases the cotton must be the first to be acted on.

284. Green and Pink.

First dye the woolen green by either of the methods given in Nos. 206, 207, &c. The cotton is then dyed pink, according to receipt No. 248.

285. Green and Crimson.

Dye the woolen by working for an hour in 2 pounds tartar, 4 pounds alum, and 6 pounds fustic; lift, and add 4 pint indigo extract (see No. 99); wash out, and lay over night in 6 pounds sumach; then work for 30 minutes in red spirits (see No. 108) made to a strength of 1½° Baumé wash out, and work for an hour in 5 pounds peachwood at blood heat; lift, and add a little alum; work in this, then wash out and finish.

286. Blue and Orange.

First dye the cotton by the blue vat (see No. 130), wash out, and then dye the woolens by working an hour in a bath made up of 2 pounds tartar, 8 ounces cochineal, 2 pounds fustic, and 2 pints bichloride of tin; wash and dry.

In this way almost any two colors may be dyed upon woolen and cotton, although woven together, by proceeding according to the receipt for the color required on each sort of fibre. The wool is always dyed first, excepting in the case where the cotton is dyed in the blue vat, when the cotton has to be treated first. The same principle is applicable to silk and woolen fabrics, although in many cases the silk becomes more imbued than the cotton by the woolen dyes. A mixture of silk and cotton can be dyed in tho same manner, but it is much more difficult, and cannot be done with all kinds of colors, and the process is seldom resorted to. But the intelligent dyer will be able to combine a variety of tints by following the rules and receipts given.

13.1.26

The Art of Dyeing. (Recipes 265-282) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

265. Weld Yellow.

Work the silk for an hour in a solution of alum, about 1 pound to the gallon; wring out and wash in warm water. Boil 2 pounds weld, strain the liquor, and work the silk in it for 30 minutes; and add 1 pint of the alum in solution, to the weld liquor; work the silk 10 minutes longer, wring out and dry.

This gives a rich lemon yellow; deeper shades are made by using more weld: straw and amber tints are obtained by the use of a little annotto.

266. Bark Yellow.

The process is the same as for dyeing weld yellow, using 2 pounds bark instead of the weld. The bark should be boiled in a bag.

267. Deep Rich Yellow.

Proceed as in the receipt for bark yellow; except that, after lifting, instead of a pint of the alum solution, 2 fluid ounces single chloride of tin. are added to the bark liquor; work 10 minutes, wash in water, and finish in a solution of white soap.

268. Gold and Straw.

To warm water containing white soap, add 2 pints annotto liquor (see No. 95), work in this 15 minutes; wash out, then work for 20 minutes in a decoction. of 8 ounces bark; lift, and add 1. fluid ounce red spirits (see No. 108); work 10 minutes more, wash out and finish. Different quantities of annotto and bark produce different shades.

269. Nankeen, Buff; &c.

Make a solution of soap in warm water, add to it 1 pint annotto liquor (see No. 95); work in this for 20 minutes, wring out and finish; a deeper shade is obtained by using more annotto.

270. Salmon, Flesh, &c.

Dye a nankeen according to the previous receipt, and add 2 ounces alum in solution to the cold water used for finishing.

271. Orange.

Work the silk for 15 minutes in a strong warm solution of annotto (see No. 95); wash out in warm water and dry.

272. Yellow Drab.

Into a vessel of warm water put 1 pint annotto liquor (see No. 95); work for 15 minutes and wash; then work for 15 minutes in a decoction of 4. pound sumach and 1 pound fustic; lift, and add 4 ounces copperas and 1 ounce alum in solution; work 10 minutes, wash in cold water and dry. A variety of drabs may be dyed in this way by varying the proportions of the sumach and fustic, and by introducing a little logwood or peachwood.

273. Drab.

Work for 15 minutes in a decoction of 8 ounces sumach and 8 ounces fustic; lift, and add 4 ounces copperas; work for 20 minutes, and wash out in cold water; then work 15 minutes in a vessel of warm water containing ½ pint archil liquor, and dry.

274. Greenish Drab.

For a greenish drab, add to the archil liquor a decoction of 4 ounces fustic and ½ fluid ounce chemic. (See No. 162).

For a purple tint, use 1 ounce alum in solution, instead of the chemic.

275. Slate or Stone Color.

Work the silk for 30 minutes in a decoction of 1 pound sumach, 4 ounces fustic, and 4 ounces logwood; lift, and add a solution of 4 ounces copperas; work 30 minutes more, wash in cold water, and finish.

For different tints, vary the proportion of sumach, &c.

276. Common Green.

Steep for an hour in a solution of 1 pound alum to the gallon of water; wash in warm water, then work for 30 minutes in a decoction of 6 pounds fustic; lift, and add 2 fluid ounces indigo extract (see No. 99); work for 30 minutes more, wash and finish. For bluegreen use more indigo extract. Darker or lighter shades are dyed by using more or less in proportion of each ingredient.

277. Green.

Work for 40 minutes in a decoction of 4 pounds fustic; lift, and add 1 pound alum in solution, and 2 fluid ounces indigo extract (see No. 99); work in this for 30 minutes, wash out in cold water containing ½ pint alum solution, and finish.

278. Pea Green.

Steep for an hour in a solution of 8 ounces alum to the gallon of water, then wash out in warm water; boil 4 pounds ebony wood chips for an hour; take the clear liquor and work the silk in it for 30 minutes; lift, and add ½ fluid ounce indigo extract (see No. 99); work for 10 minutes; wash in cold water containing ½ pint alum solution, and dry.

The indigo extract must be added with caution, as too much will make the green too blue; it is safer to add less, and then, if necessary, lift, and add more.

279. Bottle Green.

Work for an hour in a solution of 2 pounds alum and 1 pound copperas; wash out in warm water, then work for 30 minutes in a decoction of 6 pounds fustic; lift, and add 2 fluid ounces indigo extract (see No. 99); work for 20 minutes, wash out and finish.

280. Bottle Green.

Proceed exactly as for common green (see No. 276) with the addition of 1 pound logwood to the 6 pounds fustic. The addition of a little more logwood makes a still deeper shade if required.

281. Olive.

Work the silk for 30 minutes in a solution of 1 pound copperas and 4 ounces alum; wash out in hot water, then work for 30 minutes in a decoction of 2 pounds rustle and 4 ounces logwood; lift, and add 2 ounces alum in solution; work 10 minutes, wash and dry.

A little chemic (see No. 162) added to the last wash water will induce a greener hue if required.

282. Light Olive.

Dye a light Prussian blue (see No. 256); then work for 20 minutes in a decoction of 2 pounds fustic and pint archil liquor; lift, and add 1 ounce alum in solution; work 10 minutes and finish.

12.1.26

The Art of Dyeing. (Recipes 259-264) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

259. Deep Blue Dye for Woolen Goods.

To dye 5 pounds woolen goods, add to the requisite quantity of water, 2 pints chloride of iron and 1 pint chloride of tin; work in this for half an hour; lift, and work half an hour in a bath with 4 ounces of the ferrocyanide. If the color is required to be deeper, repeat this through the same stuff, adding 2 ounces more ferrocyanide; then wash out in cold water, and dry.

260. Lavender.

Add 1 pint plumb liquor (see No. 111) to sufficient water to work the goods easily; stir well and work in this for 20 minutes, then wash in cold water and dry. A darker or lighter tint is obtained by using more or less plumb liquor.

If a blue tint is required, add to the solution before putting in the goods, 2 or 3 drops either of sulphate, or of extract of indigo. (See Nos. 98 and 99).

261. Fine Lavender.

Into a vessel of water as hot as the hand can bear, dissolve a little white soap — enough to raise a lather; then. add. 1 gill archil liquor, and work the goods for 15 minutes, wring out and dry. To obtain a redder tint, boil 1 ounce cudbear, and use instead of the archil liquor. A still redder tint is attainable by leaving out the soap altogether.

262. Violet, Lilac, Wine Color, &c.

Work the goods for 20 minutes in plumb liquor (see No. 111) in a copper pan or stoneware vessel; wash out repeatedly until the goods cease to taste of the liquor, then dry. To obtain a rich blue shade, add to the plumb liquor 1 fluid ounce either sulphate or extract of indigo. For a red shade, first dye a lavender by cudbear without soap. (See No. 261.)

263. French and Pearl White.

Dissolve in hot water sufficient white soap to make a lather; then add ½ fluid ounce archil liquor; work the goods for 10 minutes, and wash out. A little cudbear may be used instead of archil, less or more, according to the shade required.

264. French and Pearl White.

Put 1 fluid ounce plumb liquor (see No. 111) into a vessel of cold water; work the goods in it for 10 minutes; wash out and dry. For these shades the goods must be perfectly white (see No. 233) previous to dyeing.

11.1.26

The Art of Dyeing. (Recipes 233-258) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

233. Preparing and Dyeing Silk.

New silk is banded in the same manner as cotton (see Ho. 122), in quantities convenient for making up into skeins when finished. After banding, it is tied up carefully in fine canvas bags and boiled three or four hours in strong soap-water to remove all the gum. Yellow silk must be first worked on sticks for an hour in a solution of soft soap at a temperature of about 200° Fahr., and then boiled hi bags. It is then washed from the soap and put on sticks for dyeing.

Silk goods to be re-dyed must be steeped in a strong soap solution at nearly boiling point for a few hours, to remove all stains and grease; they are then washed, and if the color on them is light and equal, and they are to be dyed dark, then no further preparation is required; but if the color is unequal, they must be soaked for 15 minutes in a sour (see No. 105), and then washed out.

The quantities given in the following receipts are for five pounds of silk. If the goods are tightly spun, such as ribbons, dress silk, dm., the quantities must be slightly increased.

There must be sufficient water used to cover the goods laying loosely. When goods are washed from the dye, it is always to be in cold water, unless otherwise stated.

234. Black.

Work for an hour in a solution of 8 ounces copperas; wash well out in cold water; then work in a decoction of 4 pounds logwood, adding to it ½ pint chamber lye; lift, and add 2 ounces copperas in solution; work 15 minutes, wash and dry.

This gives a good black, but not very deep.

235. Deep Black.

Work for an hour in a solution of 8 ounces copperas (sulphate of iron), and 2 fluid ounces nitrate of iron; and, after washing out, work in the decoction. of logwood and chamber lye, as in the last receipt, finishing as there directed.

236. Blue Black.

If a blue black is required, follow the same directions, but add a little white soap, instead of the chamber lye, to the logwood decoction, and add no copperas after lifting.

237. Full Deep Black.

Work for 1 hour in a solution of 1 pound copperas and 2 ounces nitrate of iron; wash out, and work for an hour in a decoction of 5 pounds logwood and 1 pound fustic; lift, and add 2 ounces copperas, and work 10 minutes; wash and finish. If the color is not deep enough, add a little more logwood before lifting.

238. French Black.

Work for an hour in a solution of 1 pound copperas and 4 ounces alum; wash out well, then work for an hour in a decoction of 4 pounds logwood, with a little white soap added; wash out and finish.

239. Blue Black by Prussiate.

Dye a deep Prussian blue according to receipt No. 131, and work, from the prussiate, for half an hour, in 8 ounces copperas; wash well, out in cold water, and then work for half an hour in a decoction of 2 pounds logwood; lift, and add a little of the copperas solution first used, then work for 10 minutes more; wash and dry.

240. Deep Bat Black.

Work for 15 minutes in a decoction of 2 pounds fustic and 1 pound bark; lift, and add 6 ounces acetate of copper and 6 ounces copperas in solution; work for 15 minutes more; then sink the silk below the surface and let it steep over night; lift out and wash; then, to a decoction of 5 pounds logwood, add white soap sufficient to make a lather, and work the silk in it for an hour; wash out and dry.

241. Brown.

Dye an annotto orange (see No. 159); then work for 20 minutes in a decoction of 3 pounds fustic, 8 ounces sumach and 8 ounces peachwood; lift, and add 3 ounces copperas in solution, and work for 15 minutes; wash out in two waters, adding ½ pint alum solution in the last water. If the particular tint is not obtained, it may begiven in the last alum-wash by adding as follows: for yellowness, a little fustic; for redness, a little peachwood; for depth or blueness, logwood. A number of different tints of brown may be obtained by varying the proportions of fustic, sumach and peachwood. A great many particular hues of brown may be dyed by this method; for instance, by using only fustic and sumach in the second operation, a California brown is obtained, &e. So that any intelligent person may regulate his colors and tints.

242. Red Brown.

Dye a deep annotto orange (see No. 159); then work for 15 minutes in plumb liquor (see No. 111); wash well and dry. Particular tints can be made by adding fustic, peachwood or logwood to the last washing, as described in the last receipt.

243. Red Brown.

Steep the silk for an hour in a solution of 8 ounces alum to each gallon water, then wash out in warm water; next, work half an hour in a decoction of 1½ pounds fustic, l½ pounds peachwood, and 8 ounces logwood; lift, and add 1 pint of the alum solution; work 10 minutes, wash and dry.

244. Chocolate Brown.

Steep the silk for an hour in a solution of 1 pound alum to each gallon of water; wash once in warm water, and then work for half an hour in a decoction of 3 pounds peachwood and 1 pound logwood; lift, and add 1 pint of the alum solution, work again for 15 minutes; wash out and dry.

For deeper shades use less peachwood and more logwood; for a still deeper tint, add about 4 ounces fustic.

245. Bronze Brown.

Work for half an hour in a decoction of 8 ounces fustic, to which 4 fluid ounces of archil liquor has been added; lift, and add 2 ounces solution of copperas; work 15 minutes, wash and finish.

248. Cochineal Crimson.

To every gallon of water used, add about 2 fluid ounces bichloride (oxychloride) of tin, allow any sediment to settle, and warm the clear solution; work the silk in this for an hour or more. Boil 2 pounds cochineal by suspending it in a bag on the surface of some water; add this to a quantity of water sufficient for working the goods, and bring it to a blood beat. Wring the silk from the tin solution and work it in the cochineal solution for ½ hour; then let it steep for several hours well under the liquor; wash out well in cold water. If the shade is not blue enough, add to the water a little cochineal dissolved in ammonia; work in it for 10 minutes, wring out and dry.

247. Common Red.

Work the goods for 15 minutes in a decoction of 2 pounds peachwood and 1 pound fustic; lift, and add 4 fluid ounces red spirits (see No. 108); work for 15 minutes, wash in cold water and finish.

Different shades are mby varying the proportions, and claret tints are obtained by adding a little logwood. These common dyes are apt to fade.

248. Cochineal Pink.

This is dyed in the same manner as cochineal crimson (see No. 246), using much less cochineal; about half a pound makes a good pink, and intermediate shades are produced by adjusting the proportion of cochineal.

249. Cochineal Scarlet.

First dye a deep annotto orange (see No. 159); then dye a cochineal crimson according to No. 246.

250. Mixture for Dyeing Common Reds.

Make a strong decoction by boiling 1 pound limawood or brazilwood to each gallon of water. Let the wood settle; decant the liquor, and let it stand to cool for 24 hours; decant the clear liquor and add ½ pint plumb spirits (see No. 111) to every gallon of liquor; 1 after standing a few hours it is ready for use.

251. Common Crimson.

Put some of the common red mixture (see No. 250) into a copper or stoneware vessel, and work the goods in it for ½ an hour; then wash out thoroughly, wring and dry.

252. Common Scarlet.

Dye an annotto orange (see No. 159), then dye a common crimson according to the last receipt.

253. Ruby, Maroon, &c.

Take 1 pound cudbear, and boil in a bag for 15 minutes; and work silk in this for ½ an hour.

For a bluish tint, lift, and add 3 fluid ounces liquid ammonia; work 10 minutes, wring and dry.

For a red tint, lift, and instead of the ammonia, add 2 fluid ounces red spirits (see No. 108); work 10 minutes, wring and dry.

For a brownish. hue, make a decoction of 1 pound cudbear and 4 ounces fustic; work for an hour; lift, and add 2 ounces red spirits; work for 10 minutes and finish.

For a deep violet hue, proceed as in the last receipt, using 4 ounces logwood instead of the fustic.

254. Sky Blue.

To 1 pint sulphate of indigo add 2 or 3 gallons boiling water; steep in this a piece of woolen cloth, such as an old blanket, for a day; take it out and wash in cold water.

If the sky blue is required to height, warm some water in a vessel to about 98° Fahr., steep the woolen cloth in it for a few minutes, and wring out; this will leave sufficient blue in the water to dye the silk; add 1 ounce alum in solution, and work the silk in it for 20 minutes; wring out and dry.

255. Dark Blue.

If a deep blue be required, blue the water as before with the woolen cloth, add 1 ounce pearlash; then add 1 ounce alum in solution, with a few drops of sulphuric acid; then work the silk in it as before.

Half an ounce of indigo extract (see No. 99) may be used for bluing the water, instead of using the woolen cloth for that purpose. The exact quantity of indigo extract depends on the shade of blue required.

256. Sky Blue Dye for Silks.

For 5 pounds of silk goods, add to a sufficient quantity of water to work the goods ½ pint of nitrate of iron; work in this for 20 minutes, then wash out in cold water. Into another vessel of cold water add 3 ounces ferrocyanide of potassium in solution, and 1 fluid ounce of strong sulphuric acid; work through this for 10 minutes, then wash in cold water with 1 ounce of alum dissolved in it, and finish.

257. Royal Blue.

Into a vessel of cold water add 2 pints nitrate of iron; then take 1 pint water and ½ pint of hydrochloric acid, and add to it 3 ounces crystals of tin; when dissolved, add this (or 1 pint chloride of tin) to the vessel containing the iron; stir well and work the goods in it immediately for half an hour. Into another tub dissolve 8 ounces of the ferrocyanide, and add to it 2 fluid ounces of sulphuric acid; the goods are wrung out of the iron solution, and put directly into this second vessel, and worked for 15 minutes; then wash out in cold water with 2 ounces of alum dissolved in it, and finish. If the shade is not sufficiently deep, before washing them in the alum water, they may be passed through the iron solution, and the ferrocyanide solution, working in each the same time as at first, only adding 2 ounces more ferrocyanide before passing the goods through the second time then finish as before stated. Deeper shades are obtained by using more iron. and tin, or by repeating the dips. Some wash out the iron solution in water before going into the ferrocyanide, and also wash it again in clean water before putting back into the iron; the shade will not be so deep, but there is less risk of an unequal color.

258. Rich Deep Blue Dye for Silk Goods.

To dye 5 pounds of silk goods add to the water required to work the silk, 2 pints chloride of iron and 1 pint double muriate or chloride of tin; work in this half an hour; lift, and work in a solution of 8 ounces ferrocyanide of potassium; if the color be not deep enough, repeat the operation through both solutions; then wash out in water in which 2 ounces of alum have been dissolved.

The Art of Dyeing. (Recipes 221-232) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

221. Chrome Dyes for Woolen Goods.

The quantities given in the following receipts are for dyeing 5 pounds of woolen goods, unless otherwise stated. It must be understood that the goods must be cleaned before dyeing, and the dyeing must always be performed at a boiling heat.

222. Black.

Work for 1 hour in a bath with 8 ounces bichromate of potassa, 6 ounces alum, and 4 ounces rustic; lift, and expose to the air for a short time; wash well, and then work for 1 hour in another bath with 4 pounds logwood, 4 ounces barwood, and 4 ounces fustic; lift, and add 4 ounces copperas in solution; work half an hour in this, and then wash and dry. In order to dye a blue black, the goods must be first dyed blue by the vat (see No. 130) or otherwise, and then proceeded with as for black, only using less materials.

223. Brown.

Work for half an hour in 8 ounces of bichromate of potassa; lift, and expose till cold; then work an hour in 2 pounds fustic, 4 ounces madder, 3 ounces cudbear, 4 ounces tartar, 2 ounces logwood; lift out and dry; or it may be washed before drying.

224. Rich Yellow Brown.

Work for an hour in the following bath: 2 ounces bichromate of potassa, 2 ounces argol, 2 ounces alum; wash from this bath; then work about 40 minutes in another bath made up with 2 pounds fustic, 1 pound madder, 8 ounces peachwood, and 4 ounces logwood; wash out and dry. This sires a very beautiful brown; and a great variety of tints and shades may be made by varying the quantities of the last bath, the first bath remaining the same.

225. Rich Yellow.

Work for half an hour in a bath with 3 ounces bichromate of: potassa and 2 ounces alum; lift, and expose till well cooled and drained; then work for ½ hour in another bath with 5 pounds fustic; wash out and dry.

226. Bottle Green.

Work for an hour in a bath with 2 ounces bichromate of potassa and 4 ounces alum; lift out and expose to the air till cold; then work for an hour in a second bath with 3 pounds fustic, 1½ pounds logwood; wash out and dry.

227. Invisible Green.

Work for an hour in a bath with 3 ounces bichromate of potassa, 4 ounces alum; lift, and expose to the air for some time; then work for an hour in a second bath with 2 pounds fustic, 3½ pounds logwood; wash out and dry. By comparing these last two receipts it will be seen that the different shades are produced by varying the proportions of the same dye-stuffs, and will serve as a guide for other shades of dark green.

228. Olive.

Work for an hour in a bath with 4 ounces chrome, 2 ounces alum; lift and expose to the air; then work for an. hour in a bath with 3 pounds fustic, 1½ pounds camwood, 1 pound logwood; lift out and dry.

229. Purple.

Work the goods half an hour in a bath with 1 ounce bichromate of potassa, 1 ounce alum; lift out and wash in cold water; and then work half an hour in a bath with 2 pounds logwood, 1 pound peachwood; lift, and add 1 ounce alum in solution; work in this for 20 minutes; wash and dry. If a lighter and redder shade be required, use less logwood and more peachwood. For a darker shade use more of each.

230. Rich Green Drab.

Work the goods 30 minutes in a bath with 1 ounce bichromate of potassa, ½ ounce alum, ½ ounce tartar; lift out and wash in cold water; then work for half an hour in another bath with 4 ounces logwood, 2 ounces fustic, 1 ounce barwood (or ½ ounce peachwood); wash and dry. The shades of this can be varied by using different proportions of the stuffs.

231. Rich Drab.

Work for 30 minutes in ½ ounce bichromate of potassa; lift, and add 1 ounce of logwood; work in this for 30 minutes; lift out, wash and dry. Different proportions will produce different shades of color.

232. Chrome Blue.

100 pounds of wool are boiled for one hour in a solution of 3 pounds bichromate of potash, 6 pounds alum, 1 pound half-refined tartar; then it is taken out, cooled, and rinsed. Boil 6 pounds good logwood in a bag for half an hour in fresh water, add 3 pounds cudbear, well moistened and dissolved. Cool the dye to 180° Fahr. Enter the prepared wool, and handle it for ¾ of an hour; bring it to a boil in this time. This color ought to be always left a shade lighter when finished, as all chrome colors darken in drying.

In the foregoing receipts, the quantity of water to be used is not material, but will be regulated according to the size of the vessel and the amount of goods to be dyed, but there should always be enough water to cover the goods without the necessity of pressing them down.

Rules for making decoctions, to., will be found in No. 94.

10.1.26

The Art of Dyeing. (Recipes 204-220) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

204. Sky Blue.

Work for 30 minutes in a bath containing 8 ounces argol, 1 pound alum, and 1 gill indigo extract (see No. 99); wash out and dry. The shade of blue will depend on the quantity of indigo extract used. For other shades of blue see Index.

205. Pigeon Blue.

Work for 40 minutes in 2 ounces chrome (bichromate of potash), 4 ounces alum, and 1 ounce tartar; wash out in cold water, and then work for 30 minutes in another bath made up with 3 pounds logwood; lift, and add 1 ounce verdigris; work for 15 minutes, wash and dry.

206. Apple Green.

Work for 30 minutes in a bath with one ounce chrome and 1 ounce alum; wash through cold water, then work for 30 minutes in another bath with 2 pounds fustic and 8 ounces logwood; wash and dry. Different proportions of the materials used will produce different shades.

207. Green.

Work for 15 minutes in 5 pounds fustic, 2 ounces argol, and 5 ounces alum; lift, and add ½ gill of indigo extract (see No. 99); work for 30 minutes and dry. More or less indigo extract make the green bluer or yellower, as required.

208. Fast Green.

First dye a blue in the indigo vat (see No. 130) according to the depth of the green required; then work for an hour info. bath with 4 pounds fustic and 2 pounds alum; dry out.

209. Olive.

Work for an hour in a bath made up with 10 ounces hustle, 8 ounces logwood, 4 ounces madder, and 2 ounces peachwood; lift, and add 4 ounces copperas in solution; work for 30 minutes and dry.

210. Wine Color.

Work for an hour in a bath with 4 pounds cudbear, and dry. For a darker shade use more cudbear. If the tint be desired bluer, add, after 30 minutes working, 1 gill ammonia; if a redder tint is wanted, add a wine-glassful of hydrochloric acid; but if this last be used, the goods must be washed out before drying.

211. Light Violet.

Work for an hour in a bath with 4 ounces cudbear, 4 ounces logwood, 2 ounces barwood or camwood, and 2 ounces peachwood; lift, and add 2 ounces alum in solution, work for 30 minutes and dry.

212. Lilac or Puce.

Work in a bath for one hour with 10 ounces logwood, 1 ounce camwood and 8 pounds cudbear; lift, and add 2 ounces copperas in solution; work for half an hour and dry.

213. Brown Drab.

Work for 30 minutes in a bath with 2 ounces ground madder, 1 ounce peachwood, 2 ounces logwood, and 6 ounces fustic; lift, and add 3 ounces copperas in solution; mix well and work the goods for 30 minutes more; then wash and dry. The shade can be adjusted to suit, varying the quantities and proportions of the dye-woods.

214. Properties of dye-woods.

Peachwood reddens, madder gives the drab tint, fustic supplies yellowness, and logwood induces a slate hue.

215. Stone Drab.

Work the goods for 20 minutes in a bath containing 1 ounce peachwood or limawood, 2 ounces logwood and ounce fustic; lift, and add 1 ounce copperas in solution; stir well and work in this for 30 minutes; lift out and expose to the air for a short time; wash and dry. Different shades are made by varying the quantities of the dye-woods. (See last receipt.)

216. Slate.

Work for half an hour in a bath with 8 ounces logwood and 1 ounce fustic; lift, and add 1 ounce alum and ½ ounce copperas in solution; work for half an hour; wash and dry. For a bluer tint, use less alum and more copperas; for more purple, use less fustic and more alum, &c.

217. Blue.

Dyeing woolens blue is performed by dipping in the blue vat (see No. 130), and then exposing to the air, repeating the operation till the desired depth of color is obtained.

218. Blue Purple.

100 pounds wool are first dipped a light blue in the vat, and well rinsed. Then take a stone pot, put in 3 pounds tartar, 3 pounds feathered tin, 5 pounds blue vitriol, and 20 pounds muriatie acid; heat all in a sand bath until dissolved.

From this mordant take 10 pounds in a suitable kettle; add 5 pounds tartar to it, stir it well and enter the wool at 170° Fahr.; let it boil for 1 hour; take it out, cool, and let it lay for 24 hours. Then boil out 20 pounds good logwood for 1 hour in fresh water; cool off the kettle to 150° Fahr., enter the wool, and handle it well for an hour, then heat it up to 185° Fahr., but do not let it boil; let it go for 1 hour more, when it will be a dark purple. This color stands the sun remarkably well, perhaps owing to the fact that there is not any alum or sulphuric acid used, except that contained in the blue vitriol.

219. Blue Purple, Fast Color

100 pounds of wool are first dipped in the blue vat to a light shade, then boiled in a solution of 15 pounds alum, and 3 pounds half-refined tartar, for 1½ hours the wool taken out, cooled, and let stand 24 hours. Then boil in fresh water 8 pounds powdered cochineal for a few minutes; cool the kettle to 170° Fahr.; handle the prepared wool in this for 1 hour, in which time let it boil for hour, when it is ready to cool, rinse, and dry. By coloring first with cochineal, as above, and finishing in the blue vat, the fast purple, or dahlia, so much admired in German broadcloths, will be produced.

220. Royal Blue Dye for Woolen Goods.

Woolens may be dyed different shades of blue with nitrate of iron, observing the general rule that woolens must be worked at a boiling beat.

To dye 5 pounds of woolen goods — work for 20 minutes in a bath with 1 pound ferrocyanide of potassium, and lift; then take ½ pint nitrate of iron and add to it 1 ounce crystals of tin (or 1 pint chloride of tin); stir well for a few minutes and then add this mixture to the bath, and work the goods in this for 30 minutes; wash out and dry. For various shades of color, increase or diminish the quantities in proportion.

The Art of Dyeing. (Recipes 191-203) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

191. Preparation and Dyeing of Woolens.

To prepare new woolen goods for dyeing, the cloth or yarn (if the latter, it is first banded with twine into spindles, see No. 122,) is steeped over night in soap lye, and then scoured through clean soap to remove all oil or grease that may be upon the wool. Instead of soap, a scouring mixture may be prepared with 1 pound soft soap and 1 pound common soda (or ½ pound soda-ash), in 10 gallons water.

Goods to be re-dyed must first be steeped and scoured in soap and soda. If the remaining color be unequal or dark, the goods must be worked for a short time in a sour, made by dissolving 2 ounces bisulphate of potassa an each gallon of water used. Woolen goods are always dyed hot, as near boiling point as possible; this necessitates the use of boilers, which should be of copper, or copper and tin, as iron will not answer the purpose. The dye-stuffs are generally put in the boiler, and the goods worked with it, but it is cleaner to make decoctions (see No. 94), and use the clear liquor. All washings are to be in cold water unless otherwise specified. The quantities given in the following receipts are for dyeing 10 pounds of woolen goods, either cloth or yarn, unless otherwise specified.

192. Black.

Work for 20 minutes in a bath with 8 ounces camwood; lift, and add 8 ounces copperas; work 20 minutes more, then withdraw the fire from the boiler, and submerge the goods in the liquor over night, then wash out. Work for an hour in another bath containing a decoction of 5 pounds logwood and 1 pint chamber lye; lift, and add. 4 ounces copperas; work for 30 minutes longer, wash and dry.

193. Brown.

Work for an hour in a bath made up with 2 pounds fustic, 2 pounds madder, 1 pound peachwood, and 4 ounces of logwood; lift, and add 2 ounces copperas; work for 30 minutes, wash and dry.

194. Brown Dye.

The different shades of this dye vary from pale yellow and reddish brown up to very dark brown, almost black, every shade of which, however, may be produced, as the taste of the workman may dictate, by mixtures of reds and yellows with blues and blacks, or by simple dyes, which at once impart a brown, — as catechu, walnut rinds, or oxide of manganese.

Boil the cloth in a mordant of alum and common salt dissolved in water, then dye it in a bath of logwood, to which a little green copperas has been added. The proportion of alum should be 2 ounces, and of salt 1 ounce, to every pound of cloth.

Or boil the goods in a mordant of alum and sulphate of iron, then rinse them through a bath of madder. The tint depends on the relative proportions of the alum and copperas; the more of the latter, the darker will be the dye. The joint weight of the two should not exceed 1/8 of the weight of the wool. The best proportions are 2 parts of alum and 3 of copperas.

For other receipts for dyeing black and brown see Index.

195. Crimson.

Work in a bath for one hour with 1 pound cochineal paste, 6 ounces dry cochineal, 1 pound tartar, and 1 pint protochloride (single chloride) of tin; wash out and dry.

196. Scarlet.

Work for an hour in a bath with 1 pound tartar, 2 ounces dry cochineal, 8 ounces sumach and 8 ounces fustic; wash out and dry.

197. Red.

Work for 30 minutes in a bath made up with 1 ounce chrome and 1 ounce alum; wash in cold water; then work for 30 minutes in another bath with three pounds peachwood or limawood; lift, and add. 1 ounce alum; work for 20 minutes; wash and dry.

198. Claret Red.

Work for an hour in 5 ounces camwood; lift, and expose the goods until well drained and cold; meanwhile, add to the camwood bath 4 ounces copperas, 2 ounces alum, and 8 ounces logwood; work the goods for 30 minutes, wash and dry.

199. Scarlet.

For every 100 pounds of fabric, boil, in a suitable kettle, 11 pounds ground Honduras cochineal, 5 pounds half-refined tartar or 3 pounds tartaric acid, 2 pounds oxalic acid, 1 pound tin crystals, 1½ pounds flavine, 10 pounds scarlet spirit (see below). After it has boiled for about fifteen minutes, cool the dye to 180° Fah., enter the goods, handle them quickly at first, and let them boil slowly for 1 hour, when they will be a good scarlet. Take them out, cool, and rinse in cold water. If it should happen that the wool or flannel shows some white hair, which is generally the case when new wool is used, then add 5 pounds of raw muriatic acid to the dye. This powerful agent will work wonders in scarlets, oranges, and pinks, as it tans the wool, which is perhaps a little greasy, and prevents the tin crystals from fastening too quickly to it, and thereby evener colors are obtained. This latter fact is very valuable, and not generally known.

Scarlet spirit is thus prepared: Take 16 pounds muriatic acid 22° Baumé, 1 pound feathered tin, 2 pounds water. The acid should be put in a stoneware pot, and the tin added, and allowed to dissolve; the mixture should be kept a few days before using.

200. Lac Scarlet.

Work for 30 minutes in a bath with 1 pound tartar, 8 ounces sumach, and 2 pounds lac; lift, and add about a gill of bichloride of tin; work for 30 minutes, wash and dry.

201. Pink.

Work for an hour in a bath made up with 1 pound tartar, 8 ounces alum, 1 pound cochineal paste, and 1 gill red spirits (see No. 108); wash in cold water and dry.

202. Yellow.


Work for 20 minutes in a bath of water containing 8 ounces tartar and 8 ounces alum; lift, and add 2 pounds bark, 8 ounces sumach, 8 ounces fustic, and 1 pint red spirits (see No. 108); work in this for 40 minutes, wash out and dry.

203. Orange.

Work for 40 minutes in 2 pounds sumach, 3 ounces dry cochineal, 1 pound fustic, 8 ounces tartar, and 1 pint red. spirits (see No. 108); wash and dry.

9.1.26

The Art of Dyeing. (Recipes 189-190; French Process for Dyeing Turkey-Red.) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

189. French Process for Dyeing Turkey-Red.

The following process for dyeing turkeyred, is the one in general use in France at present.

The quantities of materials, &c., given, are for dyeing 2200 pounds of cotton, which has already, it is assumed, been subjected to thorough washing and scouring in soap.

Dissolve 20 to 22 pounds carbonate of potassa in about 330 gallons of water, and provide for future use 1300 to 1400 pounds of fat oil; next divide the goods to be dyed into three equal portions.

The first step in the process is oiling the goods; mix together one-third part of the fat oil and of the solution of potassa, stirring by degrees into the oil sufficient solution to produce an emulsion; this makes the white liquor.

One-third of the goods are padded, that is, drawn through evenly backwards and forwards, in this white liquor; then take them out and lay together in a heap in a fresh cool place for 10 or 12 hours, and dry in an atmosphere heated to 140° Fahr.

While the first portion of the goods is drying, prepare a second portion of white liquor, and subject a second portion of the goods to the same operation as the first; the remaining portion of the goods is in turn subjected to the same treatment, using the remainder of the fat oil for a third tub of white liquor; by this means the process proceeds without intermission, each portion being under different stages of treatment simultaneously.

This routine is repeated several times (generally seven or eight) on each portion, each always in its own tub, according to the quantity of oil which it is desired to fix on the goods. If the bath begins to fail, either a little tepid water is added, or a certain quantity of old white liquor proceeding from the washings.

The next stage is to remove superfluous oil; this is done by macerating the goods twice, successively, for 24 hours each time, in a solution of carbonate of potassa at 1° Baumé. The liquid which is wrung or pressed out of them constitutes the old white liquor, which may be employed again for filling up in the oiling operation. The goods are then carefully rinsed.

The third process is galling or mordanting. Bruise 22 pounds gall-nuts, and boil repeatedly until thoroughly drawn; add sufficient water to make up to 66 gallons; dissolve in this 35 pounds alum with the assistance of heat. This is sufficient for working onehalf, that is, 1100 pounds of the cotton, which must be padded in the liquid at a temperature of about 160° Fahr.; it is next suspended for 2 days in a drying-room heated to 112° Fahr., and then passed into a hot concentrated bath of chalk. Care must be taken to work the goods very equally in this bath, in order to avoid streaking. The goods are then washed, and present a fawn-colored appearance.

The fourth step is the first dyeing. This is performed on 10 pieces at a time, the proportions of madder varying according to the breadth and length of the pieces, from 13, 15, 17 to 20 pounds madder for each piece. As in the preceding process, the madder is into two equal portions, one portion being used for the first dyeing, and the other portion reserved for the second dyeing. The one portion is mixed with the requisite quantity of water, from 300 to 400 gallons; the 10 pieces are introduced into this bath at a tepid heat, and kept in it 3 hours, the temperature being gradually increased, until, at the end of 2¾ hours, boiling point is reached; and this heat is sustained for the remaining ¼ hour. The goods must then be washed, thoroughly cleansed, rinsed and dried.

The fifth stage is the second galling; which is prepared in the same gall liquid, and in the same manner as the first galling, finishing with the chalk bath, washing and drying.

The sixth operation is the second dyeing, an exact repetition of the first dyeing, using the remaining half of the madder reserved for this purpose.

The seventh step, first clearing, is performed in a close boiler, twothirds filled with water containing in solution 13 pounds soap, and 3 1/8 pounds carbonate of potassa; the goods are boiled in this for 8 hours.

The eighth process is a second clearing, conducted in the same manner as the first clearing, but dissolving in the water 14½ pounds soap, and 14 ounces chloride of tin instead of the potassa solution.

For only very lively reds a third clearing, similar to the second, is required. The goods, after clearing, are exposed for some time in the air; then worked through a bran bath, which adds to the brightness of the color.

The process here described is slightly modified by some French dyers; thus, experience proves that the oil is better fixed in the stuff when the drying is not performed too rapidly; and there arc some who, when the season does not admit of exposure to the air, heap the pieces together, after oiling, in a drying-room heated to 95° Fahr., turning them over from time to time to prevent injury from overheating. Some use oxblood in the proportion of 40 pounds blood to 100 pounds madder.

190. Violet.

Dye a turkey red (see No. 180), and then pass through the blue vat. (See No. 130.)

The Art of Dyeing. (Recipes 183-188) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

183. Chrome Dyes for Cotton Goods.

The following recipes will serve to illustrate the use and value of chrome (bichromate of potassa) as a dyeing agent. The quantities given are for dyeing 10 pounds weight of cotton, and may be increased or diminished in proportion, according to the quantity of goods to be dyed.

184. Light Straw.

To a tab of cold water add 4 ounces acetate of lead, previously dissolved; work the goods through this for 15 minutes, and wring out; into another tub of water add 2 ounces bichromate of potassa; Work the goods through this 10 minutes, wring out and pass again through the lead solution for 10 minutes; wash and dry.

185. Lemon Color.

Into a tub of cold water put 1 pound acetate of lead, previously dissolved; work the goods in this for 15 minutes, and wring out; into another tub of cold water put 6 ounces biehromate of potassa, in solution; work the goods for 15 minutes through this, and wring out; then work it 10 minutes in the lead solution; wring out, wash, and dry.

186. Deep Yellow.

To a tub of cold water add 1 pound acetate of lead, and 1 pound nitrate of lead in solution; work the goods in this for 30 minutes, and wring out; then to a tub of warm water add 12 ounces bichromate of potassa, and work the goods in it for 15 minutes; expose to the air for half an hour, then pass again through both solutions, working them the same time in each as before, and expose to the air for one hour; then pass them through the lead solution; wring out, wash and dry. If the color is not deep enough they may be passed through the solutions again, observing the same rules.

187. Deep Amber Yellow.

Put into a tub of water 1 pound acetate of lead, and to this add gradually caustic potassa or soda, until the precipitate formed be redissolved, taking care not to add more alkali than is required for this solution; work the goods in this for 30 minutes; wring out, and work for 15 minutes in another tub of water to which 8 ounces bichromate of potassa has been added in solution; wring out, wash and dry. 2 or 3 ounces sulphate of zinc may be added to the chrome solution with good effect. If a deep red amber be required, add to the chrome solution ½ pint muriatic acid.

188. Chrome Green.

Dye a blue by the process described in No. 131; then dye a yellow according to the last receipt. The depth of the blue and yellow will regulate the tint of green.

The principal difficulty is when a particular depth or shade of green is wanted, to ascertain the exact shade of blue to be given, as blue cannot be added upon the yellow. This is a matter which can only be learned by practice.

The Art of Dyeing. (Recipes 177-182) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

177. Common Drab.

Work for 15 minutes in a decoction of ½ a pound sumach; lift, and add 1 ounce copperas in solution, and work 15 minutes more; wash out in a tub of cold water, then work 15 minutes in a decoction of 4 ounces fustic, 2 ounces limawood, and 1 ounce logwood; lift, and add 1 ounce alum in solution; work 10 minutes, then wring out and dry.

A great variety of different tints can be produced by varying the proportion of the limawood, fustic, and logwood; and lighter or darker shades by diminishing or increasing the quantities of sumach and copperas.

178. Olive Drab.

Work for 15 minutes in ½ pound sumach; lift, and add 1 ounce copperas, and work 15 minutes more; wash in water, then work for 20 minutes in water with ½ pound fustic; lift, and add 1 ounce alum, and work for 10 minutes and dry.

179. Drab.

To a tub of hot water add 1 pint annotto preparation (see No, 95), which gives a light salmon color; then proceed as for olive drab in last receipt. By varying the quantities a great variety of tints may be obtained.

180. Stone Color.

Work the goods 20 minutes in a decoction of 1 pound sumach; lift, and add 1 ounce copperas in solution; work for 15 minutes, and wash in cold water; then work 10 minutes in warm water containing ½ pint alum plumb (see No. 114); wring out and dry. This gives a reddish tint, which may be avoided by using a solution of ½ ounce of alum instead of the alum plumb.

181. Catechu Stone Drab.

Work the goods 15 minutes in hot water containing 2 pints prepared catechu (see No. 96); lift, and add 2 ounces copperas in solution; work for 15 minutes, and wash in water, then work for 10 minutes in a tub of warm water containing a decoction. of 2 ounces logwood; lift, and add ½ ounce alum; work 10 minutes more, wring out and dry.

182. Catechu Drab.

Work for 15 minutes in hot water containing 1 pint prepared catechu (see No. 96); lift, and add 1 ounce copperas; work 10 minutes; wash out and dry. A variety of tints may be obtained by finishing in a weak decoction of one or other of the different dye-woods.

The Art of Dyeing. (Recipes 169-176) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

169. Lilac or Puce.

Work for an hour in red spirits (see Ho. 108) at 1½° Baumé wring out and wash; then work half an hour in a decoction of 3 pounds logwood at about 140° Fahr.; lift, and add 1 red spirits, and work 20 minutes; wash ant dry. Half a pint red liquor (see No. 100) or 2 ounces alum, may be added to the logwood after lifting, instead of the red spirit.

170. Lilac or Puce.

Work for 15 minutes in red liquor (see No. 100) at 5° Baumé; wring out and wash in a tub of warm water; then work half an hour in a decoction of 2 pounds logwood at 140° Fahr.; lift, and add pint red liquor, or 2 ounces alum; work 10 minutes, and wash in clean warm water; wring out and dry.

171. Light Purple or Adelaide.

Steep the goods in a decoction of 2 pounds sumach; wring out, and work half an hour in plumb spirit (see No. 111); wring out, and wash in clean cold water until no taste of acid is left on the goods, and dry.

When working with the plumb spirit, it is advisable to ut a sufficiency of it into a separate vessel for working the goods, returning the liquor afterwards to the plumb tub.

172. Light Purple.

Steep in a decoction of 2 pounds sumach; wring out and work for 20 minutes in red spirits (see No. 108) at 1½° Baumé; wash well and then work in plumb spirit, and finish the same as the last receipt.

173. Purple.

Steep in a decoction of 2 pounds sumach until cool; work in red spirits (see No. 108) at 1½° Baumé for an hour, and wash in cold water; then work for half an hour in a decoction of 3 pounds logwood at 140° Fahr.; lift, and add 1 gill red spirits, and work 10 minutes more; wash in cold water and dry.

If a browner tint is required, use a little more sumach; for a bluer tint, use less sumach and more logwood; and add, after lifting, ½ pint red liquor (see No. 100), or 2 ounces alum, instead of red spirits.

174. Lavender or Peach.

Work for 20 minutes in plumb spirit (see No. 111); wring out, and wash in clean cold water till free from acid taste, and dry.

175. Logwood, Lilac or Puce.

Dye a good shade of Prussian blue (see No. 131); then work 15 minutes in a decoction of 1 pound logwood at 140°Far.; lift, and add 4 ounces alum; work 10 minutes, then wash in cold water and dry.

176. Logwood Lilac.

Dye a sky blue (see No. 131); then work for 15 minutes in a tub of warm water containing 1 gallon alum plumb (see No. 114); wring out and dry.

8.1.26

The Art of Dyeing. (Recipes 157-168) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

157. Light Straw.

To a tub of cold water add 4 ounces acetate of lead in solution, work the goods in this for 15 minutes, and wring out; then work for 10 minutes in another tub of water containing 2 ounces bichromate of potassa; wring out, and work again in the lead solution for 10 minutes; wash and dry.

158. Leghorn.

This tint is dyed in the same manner as the last, but adding pint of annotto liquor (see No. 95) to the chrome solution. Different shades may be obtained by using more or less of these stuffs, without varying the mode of working.

159. Annotto Orange.

Heat the annotto solution (see No. 95) to about 140° Fahr.; work the goods in it for 20 minutes; wring out thoroughly in order to economize the liquor, wash in a couple of waters and dry. If the goods are then passed through water with sufficient acid to taste sour, a very red orange, almost scarlet, is obtained, but the tint fades quickly.

160. Logwood Blue.

Dye first a light blue with the vat (see No. 130), then soak the goods for several hours in a hot decoction of 2 pounds sumach; then work for 15 minutes in water containing. 1 pint red liquor (see No, 100) and 1 pint iron liquor (see No. 118); wash in two waters, hot; then work for 20 minutes in a decoction of 2 pounds logwood; lift, and add ½ pint red liquor, and work again for 10 minutes; wash and dry.

161. Fustic Green on Yarn.

Dye a blue with the vat (see No. 130), wash and. wring, and then pass through red liquor (see No. 100) diluted to 4° Baumé; wash through a tub of hot water, and then work for 20 minutes in a decoction of 4 pounds fustic; lift, and add 2 ounces alum in solution; work for 15 minutes, wash and dry.

162. Fustic Green on Cloth.

Work the goods in red liquor (see No. 100) diluted to 4° Baumé and dry in a hot chamber; then wet in hot water and work for 20 minutes in a decoction of 3 pounds fustic; lift, and add 2 ounces alum in solution; work again for 15 minutes; wring out and work in chemic (a solution of sulphate of indigo whose acid has been neutralized with carbonate of soda); wring out and dry.

163. Dark Green on Cloth.

After the goods have been cleaned, work them for 10 minutes lured liquor (see No.100) at 5° Baumé; wring out, and pass through a tub of hot water; then work for half an hour in a decoction of 3 pounds bark; lift, and add ½ pint red liquor (see No. 100); work 10 minutes longer, then lift and drain; work next for 20 minutes in a tub of cold water containing 5 gallons chemic (see last receipt); wring out and dry. The depth of shade can be varied by increasing or diminishing the quantities of material in proportion.

164. Green with Prussian Blue.

Dye a good Prussian blue (see No. 131) according to the depth of green required; then work 10 minutes in red liquor (see No. 100) at 4° Baumé; wash in warm water, and work for half an hour in a decoction of 3 pounds fustic; lift, and add 2 ounces alum in solution; work again for 10 minutes, wash and dry. A finer tint can be obtained by using bark instead of fustic, but it must not be worked too warm.

165. Sage Green.

Dye a Prussian blue (see No. 131), and work 10 minutes in a solution of 2 pounds of alum; wring out, and work 15 minutes in a decoction of 1 pound fustic; lift, and add a pint of the alum solution already used; work 10 minutes; wash and dry.

166. Olive or Bottle Green.

Dye a good shade of Prussian blue (see No. 131); then mordant 10 minutes in red liquor (see No. 100) at 5° Baumé; wring out and wash in hot water; then work half an hour in a decoction of 3 pounds fustic and 1 pound sumach, then add ½ pint of iron liquor (see No. 118.), and work 15 minutes; wash in a tub containing 2 ounces alum, and dry.

167. Olive or Bottle Green — Another Method.

Work the goods in red liquor (see No. 100) at 5° Baumé wash out in warm water; then work for half an hour in a decoction of 3 pounds bark and 1 pound sumach; lift, and add ½ pint iron liquor (see No. 118), and work 15 minutes; wring out and work 15 minutes in the chemic (see No. 162); wring out and dry.

168. Olive Green.

Dye a Prussian blue (see No. 131); then work for 10 minutes in red liquor (see No. 100) at 4° Baumé; wash in hot water, and work in a decoction of 3 pounds bark and 1 pound logwood; lift, and add ½ pint red liquor, and work 10 minutes; wash and dry. By varying the proportions of bark and logwood, different shades of green may be obtained.

If the goods be yarn a light blue may be dyed by the vat (see No. 130) instead of the Prussian blue, and proceeded with as above.

The Art of Dyeing. (Recipes 153-156) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

153. Common Red.

Make a decoction of 3 pounds sumach, and put the goods in at once; let them steep over night; wring out and work for an hour in a mixture of 1 gill red spirits (see No. 108), to every gallon water wring out and wash well; then work for half an hour in a decoction of 3 pounds limawood and 1 pound fustic, using this decoction as hot as the band can bear it; lift, and add 1 gill red spirits, then work for 15 minutes more; wash out and dry.

154. Boxwood Red.

To a decoction of 2 pounds sumach, add a wine-glassful of vitriol, and steep the goods in it for 6 hours; wring out and work for an hour in red spirit (see No. 108), diluted to 2° Baumé; wring out and wash, then pass through a tub of warm water; put 10 pounds barwood into a boiler with water and bring it near to the boil, then put in the goods and work among the wood grains for hour; lift out, wash, wring and dry. Deeper shades may be dyed by using larger quantities of the materials in each operation.

155. Scarlet.

For 1 pound of goods, boil 1¾ ounces cream of tartar in water in a block-tin vessel; add 1¾ ounces tin spirits, made according to the first receipt in No. 113; boil for 3 minutes, then boil the goods in it for 2 hours; drain and let the goods cool. Next boil ¼ ounce cream of tartar for a few minutes in some water; add to it 1 ounce powdered cochineal, boil for 5 minutes, adding gradually 1 ounce tin spirits, stirring well all the time; then put in the goods and dye immediately.

156. Common Crimson.

Steep over night in a decoction of 3 pounds sumach; work in spirits diluted 2° Baumé wash and then work for 30 minutes in a decoction of 3 pounds limawood and 1 pound logwood; lift, and add a gill of red spirits (see No. 108); work for 15 minutes; wash and dry. A beautiful red crimson is obtained by omitting the logwood; and a diversity of tints dyed by varying the proportions of the limawood and logwood.

7.1.26

The Art of Dyeing. (Recipes 141-152) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

141. Spirit Yellow.

Work through a solution of protochloride of tin, of the specific gravity of 1° Baumé, for 30 minutes; wash out, and work for 15 minutes in a decoction of 3 pounds bark kept at a boiling heat; lift out the goods and add to the bark solution ½ pint single chloride of tin; work the goods for 20 minutes in this, and then wash well in cold water. This gives a rich yellow.

142. Spirit Brown.

First dye the goods a spirit yellow, according to the last receipt; after washing, work for ½ hour in is decoction of 2 pounds lima or peachwood and 1 pound logwood; lift the goods out and add 3 ounces alum in solution, and work the goods in it 15 minutes; wash and dry. By varying the proportions of logwood and limawood, a variety of shades may be produced.

143. Mordant Brown.

Steep the goods for six hours in a decoction of sumach, next dye a spirit yellow, according to the receipt given above. Then work for half an hour through a decoction of 2 pounds limawood and 8 ounces logwood; lift the goods, and add 2 ounces alum in solution; work for 15 minutes, wash and dry. This method is well adapted for cotton goods, is better than the spirits, and more easily performed by the nonpractical man. The spirit brown is best for yarn.

144. Cinnamon Brown.

Dye a dark spirit yellow (see No. 141), and work for 30 minutes in 3i pounds limawood and 1 pound logwood; lift the goods and add 2 ounces alum in solution; wash and dry.

145. Uvanterin Brown.

Dye a spirit yellow (see No.. 141), then work for 20 minutes in a decoction of 1 pound limawood and 1 pound fustic; lift, and add ½ pint red liquor. (see No.100); work 10 minutes in this; wash and dry.

146. Fawn Brown.

Take 1 part annotto liquor (see No. 95), and 1 part boiling water; stir well, and work the goods in it for 10 minutes; wring out and wash in two waters; then work for 20 minutes in a decoction of 2 pounds fustic and 1 pound sumach; lift, and add 3 ounces copperas in solution; stir well, and work for 20 minutes longer; then work for 20 minutes in a decoction of 8 ounces limawood, 8 ounces fustic, and 4 ounces logwood; lift, and add 1 ounce alum; work in this for 10 minutes; wring out and dry.

147. Catechu Brown.

Work the goods at a boiling heat for 2 hours in 2 pounds of catechu prepared according to No. 96; wring out, and then work for half an hour in a hot solution of 6 ounces bichromate of potassa; wash from this in hot water. If a little soap be added to the wash water, the color is improved. Deeper shades of brown may be dyed by repeating the operation.

148. Catechu Chocolates.

Dye brown according to the last receipt, then work for 15 minutes in a decoction of 1½ pounds logwood; lift, and add 3 ounces alum in solution; work 10 minutes longer; wash out and dry. Different shades of brown and chocolate can be produced, by varying the proportion of logwood, and the strength of the brown dye.

149. Chocolate, or French Brown.

Dye a spirit yellow according to receipt No. 141; then work for half an hour in a decoction of 3 pounds logwood; lift, and add ½ pint of red liquor (see No. 100), and work 10 minutes longer; wash and dry. A deeper shade may be obtained by adding 1 pound fustic to the logwood.

150. Catechu Fawns.

Work the goods 15 minutes in hot water containing 2 pints catechu prepared as in receipt No. 96; wring out, and work 15 minutes in hot water containing 1 ounce bichromate of potassa in solution; wash and dry.

151. Catechu Fawns — Another Method.

Work in the catechu the same as in the last receipt; wring out, and work for 15 minutes in warm water containing 2. ounces acetate of lead in solution; wash in cold water and dry.

152. Catechu Fawns — Another Method.

Work in warm water containing 4 pints catechu (see No. 96), lift, and add 2 ounces copperas in solution, and work for 15 minutes wash in water, and then in another tub of warm water in which sufficient soap has been dissolved to raise a lather, and then dry.

The Art of Dyeing. (Recipes 137-140) (Dick's encyclopedia of practical receipts and processes)

Dick's encyclopedia of practical receipts and processes:
containing over 6400 receipts embracing thorough information, in plain language, applicable to almost every possible industrial and domestic requirement
William B. Dick
Dick & Fitzgerald, New York 1884.

137. General Receipts for Dyeing Cotton.

In the following receipts, the quantities are given for 10 pounds cotton, whether cold yarn or cloth. For more or less cotton, the quantities can be increased or diminished in proportion; but when small articles are to be dyed — such as ribbons, gloves, &c. — a little more of the materials may be used in proportion to advantage. Where washing is referred to, it is always in cold water, unless other wise specified.

138. Common Black.

Steep the goods hot, and let them lie over night; wring out and work them for 10 minutes through lime-water, then work for half an hour in a solution of 2 pounds copperas. They may either be washed from this, or worked again through lime-water for 10 minutes; then work them for half an hour in a warm decoction of 3 pounds logwood, adding ½ pint chamber lye; before entering the goods, hit and raise with 2 ounces copperas in solution; work 10 minutes, then wash and dry.

139. Jet Black.

The goods are dyed in the same manner as the last receipt; but along with the logwood is added 1 pound fustic.

In both the above receipts if 3 pints iron liquor (see No. 118) be used instead of the copperas, or in part mixed with the copperas, it makes a richer shade of black, but copperas is generally used; if mixed, use half the quantity of each.

140. Blue Black.

Dye the goods first a good shade of blue by the vat (see No. 130), and then proceed as for common black. If the blue be very deep, then half the quantity of the materials for dyeing black will suffice.