31.12.21

Wool Dyeing. Lecture I.
Water.
Influence of the impurities contained in water on the operations of scouring, rinsing, and dyeing.

Practical Magazine 22, 1876

A Course of Lecturers: By George Jarmain.

(Chemistry applied to the Arts, Manufactures, &c.)

The third course of Cantor Lectures for the past Session had for its subject "Wool Dyeing," by Mr. George Jarmain; the first, which was delivered on Monday evening, March 6th, was as follows:

Lecture I.

I have been instructed by the Council of the Society of Arts to give the present course of lectures on "Wool-dyeing," in order that students preparing for examination in this subject may have indicated to them the course of study which it is desirable for them to follow.

During the last twenty years, that is, since Mr. Perkin patented the process for the production of a mauve dye from aniline, in the year 1856, the woollen-dyeing trade has experienced great changes in the modes of performing many of its operations. The introduction of a large number of new dyes, through the discoveries of chemists, has necessitated these changes.

The dyer of the present day has, therefore, been educated to the fact that he owes a considerable number of his most beautiful colours to the chemist; and he has even received lessons in dyeing from him, for Schutzenberger and Lalande have taught the indigo dyer that he can dye a piece of cloth by other processes besides that of the woad vat.

The dyer has, in fact, received so many helps from the hands of the chemist, that it is difficult to understand why he does not more frequently endeavour to make himself acquainted with the principles of the science, which he must see is more competent than any other kind of knowledge to enable him to excel in his art.

Oftentimes, when I see the skill which, with long practice and observation, enables our working dyers to produce the excellent work which they turn out, I feel persuaded that were his practice and observation combined with correct scientific knowledge, the British working dyer need fear no rival which any country could produce. He would do well, however, to take to heart the fact that, however much practice he may have as a dyer, and however close his observation may have been, if he does not use the means to enable him fully to comprehend the nature of the operations which he is performing, he will, in the long run, be outstripped by those who have the good sense to combine theory and knowledge with practice.

On the other hand, the chemist is not always competent to give a satisfactory account of some of the ordinary processes of the dye-house, processes which seem to him but ill-adapted to accomplish the objects which the dyer has in view, but which, nevertheless, the dyer does accomplish.

Such being the case, it is very desirable that the chemist and the dyer should work hand in hand, and thus each in turn benefit the other.

WATER.

This indispensable article claims our first attention. I may say that the success of the operations performed upon wool in the various processes of scouring, rinsing, bleaching, and dyeing will depend very much upon the character of the water employed. It is, therefore, of prime importance that the quality and suitability of the water for the operations intended to be carried on should be ascertained, before establishing new works or removing others already in operation.

Having had a large number and great variety of waters to examine from time to time, in order that their suitability for woollen manufacturing purposes might be ascertained, I have arrived at the following results, which I may term limits of impurity in water suitable for wool scouring and dyeing. The water must fulfil the following conditions: —

1. It must not exceed 7 degrees of hardness by Clark's soap test, of which it should not lose more than 2 degrees by boiling for an hour, and returning the water evaporated.

2. It must not deposit a brown sediment of oxide of iron when exposed freely to the air for some hours, nor must it give a blue coloration when a few drops of a solution of red prussiate of potash are added to a portion of it.

3. A portion of the water contained in a white glass bottle, to which a few drops of a solution of logwood are added, should be coloured of a sherry colour, which may be compared with a portion of distilled water treated in the same way.

4. The water should be clear, and must not throw up a brown scum of oxide of iron or organic matter when heated up to the oil.

5. Samples of wool or woollen fabric mordanted and dyed with the colours required, should compare well with similar samples mordanted and dyed with distilled water, or any other water known to be good.

A water which fulfils the above conditions is suitable for scouring and for the dyeing of woollen colours. Any considerable departure from these conditions will be attended with unsatisfactory results, unless the water be submitted to some treat ment or purification.

The actual examination of the water is performed in the following manner: —

1. Clark’s Soap Test.

This test gives such abundant and important information to the scourer, dyer, and steam-user, that I venture to repeat such details of it that any intelligent operative may apply it to the examination of the waters in which he is most interested. The following are the apparatus and materials employed: —
One burette divided into 50 cubic centimetres, in 1/5 or 1/10 cubic centimetres, stoppered.
One stand and clamp to hold ditto.
One 100 cubic centimetre measure.
One stoppered bottle, about 16 ounces capacity.
One pint of soap test.
One 16-oz, flask, fitted with a perforated cork, through which passes a glass tube ¼-in, bore, and about 4 feet long.
One 3-in. funnel and filter paper.
One retort stand, with Bunsen burner or spirit lamp.

The soap test should be bought of an operative chemist, for it is somewhat troublesome to make. Directions for preparing it, however, may be found in many of our standard text-books of chemistry. The soap test consists of a solution of soap in dilute methylated spirit, of such a strength that, when shaken up with a definite quantity of the water, it will indicate the amount of soap-destroying materials or hardening matters contained in the water. The operation is performed in this way: —

Measure out 100 cubic centimetres of the water to be tested, and pour it into the clean and empty stoppered bottle.

Fix the burette in the clamp, and pour into it the soap test up to the top mark.

Run out the soap test through the glass stopper of the burette into the bottle containing the water, in small portions at a time, shaking the bottle vigorously after each addition; continue this operation until a full lather is formed on the surface of the water, which remains covered with the lather for five minutes.

When this point has been arrived at, read off the number of cubic centimetres which have been run out of the burette, and look for the degree of hardness in the table furnished by Dr. Clark, and which is here appended: —

Table showing the Degree of Hardness.

Degree of Hardness. Soap test measures. Differences as for the next degree of hardness.
01.4
13.21.8
25.42.2
37.62.2
49.62.0
511.62.0
613.62.0
715.62.0
817.51.9
919.41.9
1021.31.9
1123.11.8
1224.91.8
1326.71.8
1428.51.8
1530.31.7
1632.0

The first column gives the degree of hardness, the second the number of soap test measures, and the third is a useful number for determining the fractional part of the next degree — it is the denominator of a fraction, of which the excess above the number indicating the nearest whole degree is the numerator.

If, as sometimes happens, 32 measures of the soap test are insufficient to produce a lather, 50 cubic centimetres of the water are taken, and 50 cubic centimetres of distilled water added, and the hardness of the mixture is determined, the double of which is the true hardness of the water.

The hardness of the water, as determined above, represents the absolute or total hardness caused by the soap-destroying ingredients contained in it, which may consist of bicarbonate of lime, bicarbonate of magnesia, bicarbonate of iron; sulphate of lime, sulphate of magnesia, sulphate of iron; chloride of calcium, chloride of magnesium; free acids, and acid salts.

The degrees of hardness are determined in terms of carbonate of lime or chalk, each degree representing one grain of carbonate of lime per gallon. If hardening matters other than carbonate of lime are the cause of the hardness, then they are present in the following approximative relative proportions, if the whole hardness be due to these bodies respectively: —

Equivalents.
Carbonate of lime100 parts
Carbonate of magnesia84 "
Carbonate of Iron116 "
Sulphate of lime (dry)136 "
Sulphate of magnesia (dry)120 "
Sulphate of iron156 "
Chloride of calcium111 "
Chloride of magnesium95 "

That is to say, 100 lbs. of chalk dissolved in a certain bulk of water will make the water as hard as if it had dissolved in it 84 lbs. of carbonate of magnesia, 116 lbs. of carbonate of iron, and so on with the rest.

When water containing the bicarbonates in solution is boiled they are decomposed, carbonic acid being expelled, and they are converted into insoluble carbonates, which precipitate or form an incrustation on the vessel in which they are boiled.

It is often of great importance to the dyer and steam-user to know how much of the hardness of the water is due to the presence of these bicarbonates.

Proceed in this way: —

Pour 100 cubic centimetres of the water into a clean flask fitted with a cork and a long straight tube. Boil gently for an hour, taking care that little or no steam escapes from the top of the tube; filter back into the measure, making the bulk up to 100 cubic centimetres with distilled water if necessary, then take the hardness with the soap test, with the precautions given above. The hardness thus obtained is due to the presence of bodies other than bicarbonates, and is called its "permanent" hardness, and the loss of hardness by the boiling is due to the removal of bicarbonates; the hardness so lost is called "temporary."

The following example will show how the results of an examination of water by the soap test should be calculated: —
A sample of water took 29.6 cubic centimetres to produce a persistent lather, and after boiling one hour and filtering it took only 7 cubic centimetres.

Therefore —
Degrees.
Total hardness = 28.5 = 14 = Degrees 14 11/18
Total hardness = 1.1 = 11/18 = Degrees 14 11/18
Permanent do. = 5.4 = 2 = Degrees 2 8/11
Permanent do. = 1.6 = 16/22 = Degrees 2 8/11
Temporary do. The difference or loss. = - = Degrees 12 nearly.

2. — Examination for Iron Compounds.

These form a very objectionable impurity; for many colours cannot be dyed satisfactorily if iron be contained in the water, even in small quantity. The iron is usually present in the water in the form of bicarbonate or sulphate of the protoxide (ferrous bicarbonate or sulphate), the former being the more frequent form. When the iron is present in appreciable quantity, its presence betrays itself by the water becoming turbid when exposed to the air in an open vessel, and, after a few hours, a reddish brown sediment is found at the bottom of the vessel, the water having more or less regained its clearness. The deposit consists of the iron converted into the condition of insoluble hydrated peroxide (ferric hydrate) by the oxidizing action of the air.

The iron may also be detected by adding a few drops of a solution of red prussiate of potash, which will give a blue coloration in such water. When present in small quantity, the iron may be found by boiling a portion of the water down to about one-tenth its bulk in a dish or flask; the iron, as peroxide, will then be found as a brown sediment, which may be dissolved in a little hydrochloric acid, and the above test applied to the solution.

3. — Examination with a Decoction of Logwood.

A decoction of logwood is an extremely delicate re-agent, showing by the various tints which it assumes the impurities contained in the water. The decoction is made by boiling about 1 oz. of logwood chips in 4 oz. of distilled water for a few minutes, allowing it to stand till quite cold, and then filtering it.

The water to be tested should be poured into the 100 cubic centimetres measure, or into a tall white glass bottle; a few drops of the infusion are then dropped into the water, and the coloration observed without stirring up the water.

The following reactions will be observed: —
Distilled water . . . A brown amber or sherry colour.
Water containing only —
Calcic sulphate or chloride . . . Red amber, becoming red brown.
Magnesic do . . . Amber, becoming more brown.
Calcic bicarbonate. . . . Red claret, passing to a bluer shade.
Magnesic do . . . Red claret, becoming more blue.
Ferrous bicarbonate or sulphate . . . Olive black, becoming blue black.
Alkaline carbonates, carbonate of potash or soda . . . Dark Cherry.
Free acids . . . Light amber.

The depth of coloration is, in each case, in proportion to the amount of the special impurity in solution. When there is a mixture of impurities, the coloration partakes also of a mixed character; but a departure from the standard of distilled water is readily recognized, and should not be considerable.

4. — Organic Matter.

The presence of organic matter in quantity which would prove injurious in the woollen industry, generally betrays itself by the brown coloration which it gives to the water, or by separating as a brown scum when the water is raised to the boil. This brown substance may, however, readily be mistaken for oxide of iron, which it frequently resembles very closely in colour. A portion of it should be removed, dried, and burnt; if it be organic matter it will burn almost completely away; if it be oxide of iron, a red powder will be left.

5. The Dyeing Test.

To test the water, in order to ascertain whether it may be suitable for use for obtaining any particular colours, it is advisable to dye with it in a small way samples of the wool; at the same time, for comparison, samples should also be dyed, using distilled water or water known to be good for dyeing -taking every precaution to use in each case the same weight of mate rials and dyes, and the same temperature and time; and parti cular notice should be taken whether any marked change of colour takes place when the goods are finally rinsed or washed off in the same water.

The particular colours to be tried will readily suggest themselves to the dyer.

These small operations are best performed in an enamelled iron pan, heated over a powerful gas burner.

Having examined the water by the five operations described above, a good knowledge will have been obtained of its capa bilities to fulfil the conditions required of it, and any obnoxious substances will have been detected.

Influence of the impurities contained in water on the operations of scouring, rinsing, and dyeing.

1. — Calcareous and Magnesic Impurities.

Influence on Scouring with Soap.

These impurities, in whatever form they may be present in the water, decompose and destroy as a detergent their equivalent quantities of soap, by converting it into a lime or magnesia soap, which is insoluble and greasy, and not only non-detergent, but it adds to the difficulty of the subsequent thorough cleansing. Every pound of chalk, or carbonate of lime dissolved in water destroys 10 lbs. of soap. The insoluble soap so formed cannot be washed out from the wool or fabric, to which it attaches itself with great tenacity, and is frequently very mischievous in the dye-bath, producing irregularity in the reception of both mordant and dye. I have, therefore, mentioned 7 degrees of hardness as the furthest limit at which it will be found advisable to employ water for scouring purposes when soap has to be used.

Even during the rinsing or washing off the wool or fabric where soap has been used, the mischief is increased by the fresh water acting upon the excess of soap which has to be used to obtain a scour; this excess is also converted into insoluble soap, and is added to that already formed.

Influence on Scouring with Alkaline Carbonates and Urine.

Calcareous and magnesic salts, when heated up with alkaline carbonates, precipitate their carbonates in a powdery condition, which may readily be removed by washing; but as wool generally contains a portion of natural fatty matter which forms a soapy emulsion with the alkaline carbonate, the presence of calcic and magnesic compounds interferes with the detergent action of the alkalies. The bad effects, however, are not so great as when soap has to be employed for scouring.

Influence on Mordanting and Dyeing.

Calcic and magnesic salts, when in the condition of sulphates or chlorides, appear to have no influence over the reception of either mordant or dye; waters containing them act, so far as woollen dyeing is concerned, as pure water.

When the salts are in the condition of carbonates, held in solution by carbonic acid (so-called bi-carbonates), they are often exceedingly troublesome.

1. They diminish the effect of the mordant, and necessitate great care in counteracting this evil tendency by the use of an acid of tartar.

2. They produce a different shade of colour in most cases in the dye-bath, and require great skill and experience to obtain uniform results.

In fact, the dyer has a host of complaints to make against these earthy carbonates, for they blue his cochineal scarlets and the colours of logwood, fustic, and bark, but at the same time the colours loose their brightness, and the strength of colour is not permanent; they destroy his tartar, which expends itself in converting the earthy carbonates into tartrates; they act generally as a diminution of mordant.

2. Impurities in the form of Iron Salts (Ferruginous Waters).

Their influence on Scouring.

With soap they act like the calcic and magnesic salts, producing an iron soap which adheres to the wool, and is more mischievous than even the lime and magnesia soaps, for it seriously affects the colours afterwards dyed upon the wool. With alkaline carbonates (soda ash, urine) the oxide or hydrate of iron is precipitated, which adheres more or less to the wool or fabric, and is a constant source of anxiety and annoyance to the dyer.

Their incluence on Dyeing.

As iron compounds always have the effect of saddening colours, it is hopeless to expect to obtain any bright shades of colour when a ferruginous water is used. Even with the dark and sad shades, and blacks, the use of this description of water frequently produces unsatisfactory colours. I have often seen cloudy and rusty spots on pieces which have been dyed with such water.

3. Impurities in the form of Alkaline Carbonates.

Influence on Scouring.

When the water is not also charged with earthy carbonates, the presence of these carbonates is beneficial rather than otherwise in scouring with either soap or alkaline carbonates.

Influence on Dyeing.

I know of no condition of water which is more troublesome to the dyer than this alkaline condition. In the mordanting it precipitates the bases of iron, tin, and copper salts, and of alum, and reduces bichromate of potash to the condition of yellow chromate, a much less effective mor dant. It acts on mordants in a similar manner to what the earthy carbonates do, but the action is sharper and more decided. Its evil influence can only be prevented by the use of an acid to neutralize the alkalinity of the water.

In dyeing with this alkaline water the greatest care and skill are required, otherwise the colours will be affected; and in the rinsing or washing off, the colours, which may have been set right in the dye-bath, will be thrown altogether wrong again by the alkalinity of the wash-water.

I repeat, I know of no condition of water which is more perplexing to the dyer than this alkalinity; and, unfortunately, it is of too common occurrence in some of the woollen districts of Yorkshire, where the dyer derives his supply from wells, or by boring into the lower beds of the coal measures, which appear to be charged with carbonate of soda.

4. — Organic Impurities.

Waters charged with organic matters in sufficient quantity to give them a colour are not suitable for bleaching wool, as they tend to stain it; but I have not met with any cases in which they have proved prejudicial for scouring or dyeing, except the organic matter be in the form of dye-waters from other works. Even the peaty waters from our Yorkshire moorlands do not seem to have any prejudicial influence on the dyeing of wool or woollen fabric; at any rate, no cases have come under my notice.

5. Impurities in the form of Free Acids or Acid Salts.

I have met with two classes of these waters:–
(a) Waters con taining peaty acids.
(b) Water running from pyritic shales near the surface, which by oxidation charge the water with sulphate of iron. On exposure, much of the iron deposits, leaving the water acid with free sulphuric acid. Both these waters are exceedingly injurious to steam boilers. The acids become concentrated by evaporation in the steam boiler and attack the iron plates.

A new boiler, for which the first class of water was used, had its half-inch plates perforated after three months' use, and the tubes of a multitubular boiler had to be removed after using the purples; they blue the reds of his red woods; they strengthen second description of water for a few months. Both waters were entirely corrected by the addition of a little lime. They neither of them contained a trace of lime.

These waters are unsuitable for the treatment of wool. The second one decomposes soap and liberates the fatty acids con tained in it, which attach themselves to the wool in the same manner as the lime and magnesia soaps which I have already described.

(To be continued.)

Black Varnish.

Practical Magazine 21, 1876

(Chemistry applied to the Arts, Manufactures, &c.)

A black varnish, composed as follows, is found useful for gas meters and other metal articles: —
44 lbs. of pitch or tar, and 11 lbs. of india-rubber or gum elastic are boiled till the whole is reduced to about 33 lbs. When it is required for use, it is diluted with water, and well stirred.

- El Porvenir de la Industria, July 7, 1876.

Artificial Wax.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c. Miscellaneous).

To make artificial wax, melt resin with half its weight of paraffin or other carburet of hydrogen, without exceeding the temperature of 226°Fah. To the resin may also be added a third of its weight of tallow or stearic acid, which may be afterwards neutralized by potass.

- Revue Industrielle, July 12, 1876.

Furniture Polish.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c. Miscellaneous).

The following is a good preparation for polishing articles of furniture, objects covered with leather, floors, &c. Let 51 grammes (1¾ oz.) of stearine finely shaved be put in 72 grammes (2½ oz.) of heated oil of turpentine, and after being melted, be left to cool. A salve will be produced which should be applied in small quantities to a woollen rag. The article to be polished must be well rubbed with this, and lastly wiped with a clean dry cloth.

- Polytechnisches Notiz-Blatt.

30.12.21

The Antiseptic Properties of Madder Root.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Food and Sanitary Matters.)

M. de ROSTAING, in a communication to the French Academy of Sciences, states, that some meat was preserved for seven months in a jar containing powdered madder-root which was opened a dozen times. The weight of the meat was reduced from 119 grammes (4'19 oz.) to 25 grammes (.88 oz.) without giving any indication of putrefaction. M. de Rostaing suggests that madder should be employed for preserving corpses and rendering cemeteries healthy.

- Comptes rendus, lxxxii.

Silicious Lac Dyes.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

It is known that if a solution of alumina is poured into solutions of various colouring matters, all the colour is precipitated in forms to which the name of "lacs" has been given. M. R. BÖTTGER states that when an alcoholic solution of any of the colours which are extracted from tar is mixed with a sufficient quantity of "fossil meal," or infusorial earth, one need only add water and filter the mixture, for the liquid to flow clear while the earth retains all the colour. It is probable that in this way silicious lacs capable of being applied to many purposes might be obtained at a low price.

- Technologiste, June 17, 1876.

Dyeing the Yellow of Picric Acid and Naphthylamine on Wool.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

To produce the yellow of picric acid and that of naphthylamine on wool, take for 220 lbs. of woollen yarn,
14 oz. of picric acid,
2.2 lbs. of Glauber's salt,
2.2 lbs. of alum,
5¼ oz. of sulphuric acid.

These substances are to be dissolved in hot water raised to boiling point. The yarn should be put into this bath at the tem rature of about 104°Fahr. It should then be boiled for an our and lightly washed, the desired tone being developed in a bath of naphthylamine yellow.

- Technologiste, June 17, 1876.

The Production of Coal-Tar.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

The annual production of coal-tar is very considerable. England produces 120,000 to 130,000 tons, Belgium 10,000 tons, France 30,000 to 35,000 tons. Before the development of new branches of industry, including among others the manufacture of aniline colours, the price of coal-tar in France was from 5s. to 8s. a ton. It is now £ 2 8s. to £3 12s, a ton.

- Moniteur Industriel Belge, }uly 10, 1876.

Dyeing of Glazed Skins.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

Glazed skins, especially those dyed brown, which, with those dyed grey, are now most in demand, are found in the most varied tints, from the brightest yellow brown to red brown and the deepest brown, but it is sufficient to know how to prepare baths for bright, medium, and deep brown, to obtain with these types all the baths of other tints. They are composed as follows: —

1. For bright brown:
-38½ gallons of water,
6½ lbs. of alder bark,
2.2 pounds of fustic,
8¾ oz. of yellow wood,
2¼ oz. of Brazil dye-wood,
1½ oz. of logwood.

2. For medium brown:
36¼ gallons of water,
4.4 lbs. yellow wood,
2.2 pounds fustic,
1¾ oz. Bablah,
8¾ oz. quercitron bark,
8¾ oz. Brazil dyewood,
4¼ oz. logwood.

3. For deep brown:
43 gallons of water,
4.4 lbs. fustic,
17½ oz. yellow wood,
8¾ oz. quercitron bark,
4¼ oz. Brazil wood,
30½ oz. logwood,
and solution of indigo carmine according to requirement.

For every 2.2 lbs. of wood, 8¾ gallons of water are taken. In the same way as with indigo carmine, yellow berries or aniline colours may be added according to the shade desired. In stead of alder bark, willow bark may be used. In many German establishments a decoction of spent fir bark is used, but in France alder is preferred, because, on account of the small quantity of tannin in its bark, the grain appears finer, softer, and more delicate. Bablah, like fir bark, is very astringent, and should not be employed without care, because it closes up very much. It is especially applied to skins with strong grain, or those which, in consequence of incomplete tanning, do not easily take colour. This is a significant example of the use of astringents as agents of fixation. These agents are useful for dyeing baths only within certain limits. If used in excess they are injurious. They give hardness to the colours on skins completely tanned, and always a rough appearance. According as one or the other of these astringents is employed, choice must be made between fustic, which is rich in tannin, and yellow wood, which is poor in it. For this reason the formula for deep brown contains only colouring woods properly so called. These woods, especially Brazil or redwood and logwood, are prescribed only in the proportion suitable for putting into the bath nothing but the necessary tannin.

- Der Gerber.

Dyeing of Ornamental Feathers.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

Ornamental feathers are, as is known, first carefully freed from grease in a bath of carbonate of ammonia or a weak soda lye, then dried with gentle shaking, to preserve their softness and graceful form. They were formerly scarcely dyed at all, except black with logwood and quercitron, or prepared catechu and a few other colours, but, since the discovery of colouring matters extracted from tar, various elegant colours have been applied to them.

Aniline colours are applied to ornamental feathers without any other preparation than a tepid bath. For bright colours, the feathers, after being freed from grease, are put into a chamber, where they are exposed to sulphur vapour. The dyeing bath is very simply prepared by pouring a filtered solution of aniline colours into the tepid water, and the feathers, after having been cleaned and subjected to the sulphur, are manipulated in this bath till they have acquired the desired shade of colour. They are then washed, tied to threads, and shaken in the air till they have resumed their natural brightness, and afterwards powdered with gypsum or oiled.

They are dyed red with a weak solution of fuchsine, magenta with a more concentrated solution, violet with patent violet soluble in water, bluish red and reddish blue with Lyons blue soluble in water, and greenish blue with light blue soluble in water.

Feathers may be dyed fast alkaline blue by dissolving in the bath an ounce of soda, pouring into it the solution of alkaline blue, dyeing bright blue in the bath, and plunging into a bath previously prepared with an ounce of sulphuric acid. The blue is brightened as usual.

Green is produced by treating with a solution of iodine green, orange by a solution of yellow coralline, deep red by a solution of red coralline. A solution of yellow coralline turns, on the addition of ammonia, from orange red to red, and the red solution, on an addition of acetic acid, from red to orange. Conse quently, by an addition of liquid ammonia to the solution, all shades may be obtained with yellow coralline, and the feathers dyed with them. Coralline crimson is more beautiful than the same tints produced on textures, only it does not stand well, which is of little consequence for feathers. With coralline the plunging into a soda lye must be avoided, and the feathers oiled immediately.

For white, feathers treated with sulphur are blued with a very weak solution of bluish patent violet, but in other respects treated like the rest. Latterly it has been the practice to give the extremity of the plumules an orange tint, obtained by dissolving in the water bath bluish or reddish patent violet in alcohol at 194°Fahr., and impregnating the plumes, which are already prepared and oiled with a camel-hair brush in the parts that are to be bronzed, with this solution. The alcohol rapidly evaporates, and leaves a beautiful bronze tint. Only violet soluble in alcohol is employed in this operation, since that which is soluble in water is easily discoloured by contact with the fingers.

- Färber-Zeitung.

Red Ink.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

The following receipt for making a beautiful red ink is given by M. METRA, of Paris. Dissolve 16 dwts. of saffranine in 17½oz. of warm glycerine; add, while carefully stirring, first, 17½ oz. of alcohol and then 17½ oz. of vinegar, and lastly, dilute the whole with two gallons of water in which some gum is dissolved.

- Der Arbeitgeber.

Cheap Substitute for Gum Tragacanth.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

Herr C. Boschan, of Vienna, has ascertained by experiment that a combination of twenty parts by weight of starch, six parts of glue, and two of glycerine boiled in water, perfectly answers every purpose of tragacanth, and can be used with equal advantage. For finishers of textile fabrics it may be interesting to know also, that a mixture of six parts of starch and three of glycerine gives a perfectly transparent, colourless finishing, which till now has not been discovered, as the yellow tint of glazed linen and shirtings abundantly proves. This finishing, through the absence of glue, is far cheaper than the ordinary article, without being at all inferior to it in appearance.

- Stummer's Ingenieur.

Cloth-Printing Machine Pressers covered with India-rubber.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

In the Bulletin de la Société Industrielle de Rouen an account is given of the pressers covered with india-rubber invented by M. BOURDON. Ever since 1836 fruitless attempts have been made to substitute for the endless cloth of printing machines a covering adhering to the presser. M. Bourdon's pressers are covered with two layers of india-rubber, the one black, hard, adhering to the metal, and half an inch thick; the other olive yellow, not so hard as the former, and rather more than a quarter of an inch thick. This second layer is turned at the graver, and polished with strong emery paper before being set in motion. The turning of the rollers requires certain precautions, according to circumstances.

The bulging for rollers of 6½ ft. to 7¼ ft. diameter ought to be not more than about a twentieth of an inch. With more bulging the printing would be fainter at the edges than in the middle of the texture. Apart from the pressure to be given, which is less, the working is exactly the same as by the ordinary process.

The colours, whatever their mode of thickening, are worked with the usual consistence. The pressure being diminished, they do not penetrate the texture so much, and consequently give a better return. The experiments by the authors of the report were made on machines with one or two colours, but they do not doubt that they would have been equally successful on machines with several colours.

When by chance a hard substance, such as a nail, passing between the doubler and the presser is indented in the covering of the latter, all that is necessary is to pour into the indentation a mixture of gutta-percha and india-rubber, melted with a hot iron, removing the excess with a very fine file.

The reporters, comparing the expenses occasioned by the use of endless cloth with those of the vulcanized presser, reckon the latter not much more than one-fourth of the former; there is also a considerable saving in labour.

It has been found that whenever a machine with two colours is stopped, and the presser removed, the pattern is not displaced, as is the case with the endless cloth.

Process for finishing Bronze and Brass Articles.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Metallurgy.)

M. F. DIETLEN’s process for the above purpose is as follows. When the articles, such as those used in gas apparatus, are completed, they are slightly re-heated to get rid of all trace of grease. If that is not possible on account of the solder or their form, the cleaning is performed by brushes impregnated with potash or soda lye, and the articles are dried with very dry sawdust. After this they receive a dull coating, and the projecting parts are polished with the burnisher. For polishing, grease should not be used, but simply pure water. Lastly, the articles should be brushed with chalk, subjected to flame of charcoal or alcohol, and varnished with a palette pencil or by immersion.

For the dull coating equal parts of sulphuric acid and nitric acid should be used, care being taken to put a piece of zinc in the mordant liquid during the operation. When the articles are of bright or greenish brass they must first be coloured red, which is easily done by heating them in a bath of tartrate of potass. After the coating they should be well washed with plenty of water, lest they should be covered with spots.

The varnish is made by dissolving 65 grammes (2¼ oz.) of gum lac of a clear brown colour in a mixture of half a litre (rather more than three-quarters of a pint) of alcohol, and the same quantity of spirit of wine, and adding four soup spoonfuls of turmeric flour. The whole should be exposed in a warm place for twenty-four hours, and filtered through felt. If the articles are dried a little every time a layer of varnism is deposited, the latter will form a covering of a bright gold colour, which will not be injured by being often handled.

- Dingler's Polytechnisches journal.

A Green Varnish for Metal Articles.

Practical Magazine 20, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Metallurgy.)

According to the "Industrie Blättern," a green varnish for metal articles may be thus prepared: — Put as much red arsenic or mastic into a strong potash lye as will be dissolved by it, then dilute the solution with water, and add a salt of copper (vitriol, or acetate of copper). The green precipitate should be washed, dried, and dissolved in oil of turpentine. Unfortunately, mastic is too dear for the varnish to be used for all purposes.

Black Glass.

Practical Magazine 19, 1876

(Chemistry applied to the Arts, Manufactures, &c. Miscellaneous)

The articles made at Venice of black glass are distinguished above all other productions of that sort by their deep black colour, and on this account meet with much favour. Dr. KAYSER, of Nürnberg, investigated the composition of a frit from a Venetian glass factory, and also some black glass wares made there. The following were the results: —

The glass frit had the ordinary appearance of a frit, and showed under the microscope isolated small pieces of black glass. In hot water 29.7 per cent. were soluble, consisting of alkalies and salts of magnesia. These were in combination with carbonic acid, chlorine, and sulphuric acid.

The frit, out of 100 parts, contained:
Silicic acid .......... 55.57 parts.
Clay .......... 2.08 "
Oxide of iron .......... 1.25 "
Protoxide of manganese .......... 1.80 "
Carbonate of lime .......... 8.88 "
Sulphate of magnesia .......... 3.95 "
Sulphate of soda .......... 3.55 "
Hydrochlorate of potass .......... .55 "
Hydrochlorate of soda .......... 10.66 "
Carbonate of soda .......... 11.85 "
[TOTAL] .......... 100.14 "

A rod of black glass, such as is used for the manufacture of glass pearls, out of 100 parts, contained: —
Silicic acid .......... 69.69 parts.
Clay .......... 1.94 "
Oxide of iron .......... 2.43 "
Protoxide of manganese .......... 11.39 "
Lime .......... 7.53 "
Magnesia .......... 1.26 "
Soda. .......... • 5.41 "
[TOTAL] ..........99.65

From the above analysis it was probable that the black colour of the glass is caused by the large proportion of manganese in it. To certify this conclusion, a mixture of sand, soda, and powdered manganese ore (to the extent of 15 per cent.) was melted in a Perrot's glass furnace. The glass substance obtained was deep black while in very thin layers, and dark violet when drawn out in very thin threads, as well as in thin splints. Hence, in point of colour, it was exactly like the Venetian black glass.

- Gewerbehalle, June, 1876.

Preparation of Anthraquinone and Alizarine.

Practical Magazine 19, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

The process adopted for this purpose by Messrs. BAYER, WESTKOTT, and PILLER is as follows: — A mixture of one part of anthracene with about four or five of manganese is subjected to distillation. The anthraquinone, formed in this operation and on the employment of heat, is dissolved in Nordhausen sulphuric acid. The solution is neutralized with chalk, then the precipitate is washed and exhausted repeatedly by boiling water, and the solution of anthraquinone and sulphate of lime is mixed with soda. The salt of soda which is formed and remains in solution is separated from the carbonate of lime by rest and decanting, and the solution of sodic salt is evaporated to dryness after the addition of caustic soda. The residuum is then melted until a specimen washed and dissolved in water appears blue violet. This point having been reached, the mass is dissolved in water, and the alizarine of the solution is separated by means of any acid.

- Bericht der deutschen Chemischer Gesellschaft, 1876, p. 206.

Quantitative Analysis of Tannin.

Practical Magazine 19, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

M. A. CARPENI proposed in 1875 to make a quantitative analysis of the tannic acid in wines and other substances which contain tannin, by means of acetate of zinc dissolved in an excess of ammoniac. This method does not always give constant results, and hence M. Barbieri has sought to modify it thus:

To the solution containing tannic acid is added an excess of an ammoniacal solution of acetate of zinc. The liquor is heated to boiling with the precipitate obtained, and is evaporated to nearly a third of its volume. After cooling it is filtered, the precipitate being washed in boiling water, and dissolved in diluted sulphuric acid. Some insoluble substances are separated by the filter, and the filtrated liquor is quantitatively analyzed with chameleon mineral or manganiate of potash. The precipitated tannic acid remains adhering to the glass. It is washed by decanting to detach it, and the solution is transferred with the sulphuric acid into a precipitation vessel.

The results are satisfactory and consistent with each other. An extract of chestnut treated by Hammer's method gave 48,9 per cent, of tannin, by Barbieri's it gave 49,6.

Technologiste, May 20, 1876.

31.10.21

Giving a Crowfoot Colour to Paper Pulp.

Practical Magazine 19, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

The colour of the crowfoot is one of the most agreeable in paper manufacture, but it is also very difficult to obtain in all the richness and brilliancy of the flower's hue. As in the case of many other colours for paper, the operation requires to be divided into two parts.

With every 100 kilogrammes (220 lbs.) of dry pulp, the following process is observed: On the one hand, 12 kilogrammes (26½ lbs.) of acetate of lead are boiled separately in 36 litres (about 8 gallons) of water, and 4 kilogrammes (about 8¾ lbs.) of bichromate of potass in 20 litres (about 4½ gallons) of water on the other. When the salts are completely dissolved, the same quantity of cold water is added to each solution as was used before, it is stirred, and the solution of acetate of lead is poured into that of the bichromate, the whole being stirred as the mixing takes place. The mixture is used in two separate basins, or troughs, and produces the first colouring of the pulp.

Supposing, as is to be expected, a uniform tint has been obtained, 2 litres (about 3½ pints) of a yellow orange colour are added, which are prepared in the following manner: 25 litres (5½ gallons) of caustic soda lye, marking 20° Baumé, are taken, to which are added 10½ kilogrammes (23 lbs.) of acetate of lead, and 3½ kilogrammes (7½ lbs.) of bichromate of potass, mixed dry, the whole being boiled for half-an-hour. From this are taken the two litres mentioned above for the second colouring.

- La Gaceta Industrial, May 25, 1876.

24.10.21

A new Finishing Material for Cotton.

Practical Magazine 19, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

According to an article in the "Bulletin de Rouen" by M. J. J. HEILMANN, a new finishing material for cotton has been discovered in "haï-thao," or gelose, which is obtained from a species of alga or sea weed, occurring frequently in Cochin China and Mauritius. It appears in the form of coarse flat threads, which are hard and tough, and 30 centimetres (about a foot) long. It is without taste or smell, consists of a transparent colourless mass, and is covered with a net-work of opaque veins, in reality nothing but folds, which appear on drying the substance. It is not soluble in cold water, but only swells up. It does not dissolve below 167°Fahr., and then only partially. For complete solution it must be in boiling water at least ten minutes. Then all the flock disappears in the fluid, and a transparent, thin, dirty-white solution is obtained, which does not stick to the fingers. On cooling the haj-thao separates, like gelatine, as a yellow-greyish jelly, which is again dissolved by boiling. The jelly has neither an acid nor an alkaline reaction, and even after having been long kept, e.g., for eight days, shows no tendency to fermentation or putridity.

Thao can be dissolved in cold concentrated sulphuric acid, hydrochloric acid, or nitric acid, and will again separate from these solutions on the addition of water. Towards alkaline solutions it behaves in the same way as towards water. In alcohol, whether cold or boiling, it is perfectly insoluble. It is not softened but hardened by it, and after the evaporation of the alcohol is no longer transparent.

It appears from M. Heilmann's experiments, that it can be used as a finishing material for cotton only when boiling hot. If the watery solution gets cold, it must be boiled up again to be of any use. With a dilution of one part of thao in 300 of water, the solution begins to make itself perceptible on a textile fabric as a light finishing. If one part of thao to 100 of water be taken, the fabric acquires a rather strong but soft touch; it gains in body but not in stiffness. If this finishing material is compared with potato starch and dextrine, it is found that a dextrine finishing of 50 grammes (about 1¾ oz.) per litre (1¾ pint) gives goods less firmness than the one per cent. thao finishing, but one of 100 grammes (3½ oz.) per litre gives them more, while on the contrary 50 grammes of potato starch boiled in water produce greater stiffness.

Both the dextrine and the potato starch fill the threads less than the thao, and make the texture much drier and rougher. An addition of glycerine to the thao solution, even when some potato starch is mixed with it, produces a still softer and at the same time stronger finishing. The addition of a mineral finishing material, such as talc, pipe-clay, &c., gives the goods a greasy touch, and they feel much more tender and delicate than if treated with a decoction of dextrine or potato starch. Moreover, thao finishing continues on the texture in cold water, while dextrine and potato starch soften and dissolve in it. Thao should never be used without ultramarine, because it gives the cotton a yellow tinge. Even with ultramarine a greenish tinge is observable. Lastly, on checked goods it has the property of contracting them.

Heilmann comes to the conclusion that thao should be used only for fine fabrics, to which it is desired to give a soft and at the same time solid touch, but it is not suitable for taking the place of dextrine or potato starch where it is desired to give a heavy stiff finishing. The price also of this product must be considerably reduced before it can compete successfully with the other two substances.

To cover Brass and Copper with a bright coating of Zinc.

Practical Magazine 19, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Metallurgy.)

For this purpose, Prof. BÖTTGER, thirty years ago, recommended a concentrated solution of sal ammoniac, in which, at boiling heat, the articles to be coated were to be treated for some time. Later experiments have shown him that the same object may be more perfectly accomplished by employing, instead of the sal ammoniac, a fluid having a powerful electric reaction. For this purpose a solution of oxide of zinc and soda, or potash, is especially fitted. Such a solution may be easily obtained by treating zinc-dust, or a grey mixture of oxidized and metallic zinc, in great excess, with a concentrated solution of caustic potash, or caustic soda, for some time at boiling heat, and then plunging the articles to be coated with zinc in the boiling fluid. By the contact of the copper or brass articles, which act electro-negatively with regard to the zinc dust, the alkaline zinc solution is decomposed, and in a few minutes of continued heat the objects are seen to be covered with a bright coating of zinc.

It may be further remarked, that the formation of the so-called tombac, red metal, or Lyonese gold, can be effected at a temperature of 284°F. If an object covered with a thin coating of zinc is carefully heated (which is best done in olive oil) to the above temperature, the thin coating of zinc combines with the copper beneath to form the gold-coloured tombac. Nothing more is necessary than to plunge the object quickly in cold water, or any other suitable fluid, to cool it, as soon as the colour that is desired becomes visible.

- Gewerbehalle, May, 1876.

Manufacture of Picric Acid.

Practical Magazine 19, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Acids, Alkalies, and Salts.)

The plant Xanthorrhæa arborata, indigenous to Australia, which has been known for about a century, produces a resin known in commerce under the name of "yellow Botany Bay resin." This resin appears likely to answer well for the manufacture of picric acid, not only on account of its low price, but also because it yields a good return. To ascertain this, Herr Wolfsleben procured some of the pure resin and experimented upon it. Ten grammes (6½ dwt.s.) of the resin, pulverized, were put in a drinking-glass with 50 grammes (1¾ oz.) of crude nitric acid of specific gravity 1'16. This glass was covered with a bell glass, and the mixture put in digestion at a moderate temperature. The mass soon swelled up, and on the surface of the liquid was formed a deep brown crust, which required to be every now and then broken, and submerged with a glass stick. When, after three hours, the disengagement of ruddy vapours was found to cease, it was allowed to cool. Next day the bottom of the glass was found covered with a layer of crystals of an intense yellow colour, above which was a compact resinous mass of a brown-red colour. This mass was removed and again digested in 25 grammes (16 dwts.) of nitric acid, but it was found that this acid had now scarcely any effect, and there was no longer any formation of nitrous acid. Nor was there any separation of crystals by cooling, so that it was considered superfluous, so far as concerns the preparation of picric acid, to treat the resinous mass a second time with the acid. However; as in the present case the object was to lose as little as possible of the product sought, after the crystals of the first liquor had been collected, the second liquor was added to the mother-liquor before evaporating. The evaporation was carried on to dryness, the first crystals were added, and the nitric acid which might still adhere to them was expelled at 212° Fah. The final residue weighed 6½ grammes (100 grains troy), i. e. nearly two-thirds of the resin first put in. It was composed of yellow crystals with nothing amorphous, and some isolated crystals of oxalic acid. After the picric acid thus obtained had been again crystallized, to free it from this oxalic acid, it was found to weigh 5 grammes (3¼ dwts.). The resin in question is therefore well adapted for the purpose intended

.

- Polytechnisches journal.

A New Tanning Plant.

Practical Magazine 18, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

It is stated that for tanning purposes oak bark is surpassed by the Western tannin plant, Polygonum amphibitem, which grows abundantly in the Missouri valley. It contains 18 per cent. of tannin, or half as much again as the best bark, and at large establishments in Chicago where it is employed it is said to yield one-third more leather than could be obtained from the same quantity of bark by the same process of tanning. The leather is also tougher, more durable, of finer texture, and capable of receiving a higher polish. The plant being an annual, can be mown and stacked like hay.

23.10.21

Improvement in Bleaching Wool.

Practical Magazine 18, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

Wool, after having been freed from grease, is bleached by the action of sulphurous acid gas as follows. An isolated chamber without chimney is selected, having a trap-door at the top, which can be open or shut at pleasure, and below a door about the height of a man, with two small openings at the corners to receive the sulphur pans. Poles about 3 yards long are placed across the chamber, and on them is laid the wet wool. To prevent the volatilised flour of sulphur from settling on it during the operation, it is wrapped in white cotton cloth.

When the chamber is ready, the trap-door is closed, and its edges are covered over with clay. Then a pan of sulphur on fire is put through each opening, and both are closed. For 100 kilogrammes (220 lbs.) of wool, 2 kilogrammes (4½ lbs.) of sulphur are employed. This substance is changed into sulphurous acid gas by means of the oxygen of the air, and this acid, condensed by the water which moistens the wool, re-acts on the colouring matter, and causes it to disappear.

At the end of twelve to twenty-four hours, according to circumstances, all the apertures are opened, that the outer air may enter the chamber, drive out the excess of sulphurous acid gas, and dry the wool. In winter, as soon as the suffocating smell is dissipated, the door and trap-door are closed, and the wool is dried with fire in chafing-dishes. Usually after the wool has been subjected to the action of sulphur, it is first put into hot water to get rid of the sulphur, and afterwards into a light soap bath to make it more mellow. It is then tinted with a carmine or an acetate of indigo, alone or with alumina.

Wool bleached by means of sulphurous acid gas soon gets yellow by contact with the air. This disadvantage may be obviated by a more or less prolonged immersion of the wool in a solution of sulphite of soda, with the addition of hydrochloric acid. The salt is put into the bath in large crystals, so that its solution in the water and decomposition by hydrochloric acid going on gradually, the wool may remain longer in contact with the sulphuric acid which is set at liberty. The bleaching is thus more complete. The yellowest and commonest wools are made of a beautiful and lasting white colour by this means. Spun wool thus bleached is always of a finer whiteness than what is so treated in the fleece.

The process of bleaching by sulphite of soda is excellent, but has the disadvantage of being rather slow. A skilful chemist has found the means of simplifying and hastening the process by the use of bisulphite of soda. This product, which is liquid, and known in commerce as leucogène, is manufactured by the inventor, M. CLAUDE, at Rouen. Bleaching by bisulphite of soda is as simple as by sulphite of soda. All that is necessary is to put into a wooden trough a certain quantity of water, add about a twentieth part of bisulphite of soda, and 2 or 3 per cent. of hydrochloric acid. The re-action will then take place. The wool plunged in this liquid being in contact with the sulphurous acid as it is forming, the bleaching takes place more quickly. On being afterwards exposed to the air and dried, it becomes perfectly white. This white may be rendered still more beautiful by the addition of a little bisulphite of indigo, so as to give the wool a slightly azure tinge.

- Moniteur de la Teinture.

An improved Process of Tanning.

Practical Magazine 18, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

A French patent has been obtained by M. TRAMIER, of Marseilles, for a rapid method of tanning hides by the injection of a mixture of carbonic acid and air in variable proportions, according to the condition of the skins. This mixture is directed by means of a pump to the lower part of the vats, in which the hides are placed with a solution of tannin in water. The vats are fitted with tubes containing capillary holes through which the gas passes and thus keeps up currents of bubbles which, continuously renewing the action of the tannin on the surface of the hides, dilate their pores, and facilitate the absorption of the tannin by the gelatinous and albuminoid substance of the hides, so as to convert them quickly into leather of good quality.

Aluminium and its future in the arts.

Practical Magazine 18, 1876

It is now about twenty years since the celebrated French Chemist, Deville, succeeded in demonstrating the possibility of producing the metal aluminium upon a large scale; but up to the present, the extent to which this interesting and praiseworthy invention has been utilized has but to a slight degree realized the sanguine expectations which intelligent minds of all professions have been accustomed to associate with it. So important, indeed, were the fruits of Deville's first investigations deemed to be, that they were at once invested with the dignity of royal patronage, and the first works for the manufacture of the new metal were shortly there after erected at Javelle, near Paris, from the private purse of the late Emperor of the French. It was expected that the new product would at once find its way into the useful arts as an effective and valuable substitute for many other metals. That these expectations were well founded, will be apparent from the characteristic and very exceptional properties of the metal. A bright, pure surface of aluminium possesses a greyish white colour, something between that of zinc and tin. Its extreme lightness is one of its very distinguishing properties, and affords an immediate means of identifying it from every other metal– its specific gravity is but 2.5 (water = 1), from which it appears that it is about three times lighter than copper, four times lighter than silver, and nearly eight times lighter than gold. When struck it emits a loud, clear, musical tone, which has been compared with that of crystal glass. The keen observing powers of the French chemist did not permit this property to pass unnoticed. He suggested the employment of aluminium for bell-metal, and in the year 1868 presented to the Royal Institution of Great Britain a bell a foot and a-half in diameter, which proved to possess a most exquisite tone, and which, despite its not inconsiderable dimensions, weighed no more than forty-four pounds.

The metal may be hammered out into the thinnest leaves, rolled into plates or sheets, and drawn into the finest wire. Its hardness approaches that of fine silver, and its tensile strength equals that of copper. Its melting point lies at 700° C. (about 1,300 Fahr.), or between that of zinc and silver; and it is worthy of note that it fuses with extreme slowness, and does not vaporize even in the heat of the blast furnace. Generally speaking, the metal is workable to an extraordinary degree, and it may be filed, turned, pressed, engraved, and coined quite readily. In compact masses the metal is quite indifferent to atmospheric influences, and even when being smelted, it does not sensibly oxodize. It must be remarked, however, that the properties above enumerated are predicated from the presumption that the metal is free from impurities.

The adaptability of aluminium as a circulating medium to substitute the great variety of small coin of various compositions now employed in the different countries, was strongly urged at the outset by Deville; and as long ago as 1855, a large and beautifully executed medallion of this metal, made under his direction, and presented to Prof. Wöhler, its first discoverer, attracted much attention. The properties of aluminium, which have been appealed to as establishing its admirable fitness for coinage into money, are, in addition to its colour, klang, and ease of manipulation, its extreme lightness, which would serve as a perfect check upon its fraudulent imitation, and especially its indifference to atmospheric influences. In this latter respect it is far superior to silver and copper, and the alloys of these metals, at present so largely employed for this purpose. Weights of aluminium, for example, have for a number of years been employed, and have proved to be excellently adapted for the most delicate work of precision in the laboratory, retaining their accuracy even after years of use. The same admirable conser vation has been remarked upon the numerous articles of luxury and fancy, which, immediately after the first public knowledge of the metal, it became the fashion to possess. Nor can it be urged with much reason that it is undesirable for coinage purposes because of the possibility of the discovery in the near future of some simple method of producing the metal from clay — which is known to contain it in considerable proportion — since this problem has been repeatedly attacked and as often abandoned as hopeless of solution; and the price of the metal has remained very constant for a number of years.

It may be considered an objection to its employment for monetary purposes, that it is energetically dissolved by a solution of soda or potash; but in reply, it may be remarked that silver and copper are equally objectionable in this particular, since they are both eagerly dissolved by nitric acid, to the action of which aluminium is quite indifferent. Upon the whole, it appears to the writer that the permanency of the metal, by which is meant its great stability when exposed to atmospheric influences and its indifference to the action of many of the usual solvent agents, and the great difficulty attending its production in large quantities, fairly entitle aluminium to be ranked with the noble metals; and when, in addition to the foregoing, its very exceptional properties are called to mind, the metal may justly claim careful consideration on the part of those who interest themselves with the question of reforming the world's circulating medium.

In the manufacture of jewellery and other articles of luxury, it is probable that aluminium may in time play an important part, though it is scarcely possible for it to ever rival the popularity of silver in these uses. In Paris, which by the way has always remained the head-quarters of the aluminium industry, it appears to be employed to a considerable extent for elegant inlaid work upon jewel and dressing-cases, fans, &c., for lids and covers of glasses, and for a variety of small articles of galanterie. From what has been done in this direction, we can estimate its fitness for a thousand elegant articles of taste, fancy, and utility, when once its popularity is established before the world at large, which is now scarcely cognizant of the existence of such a metal as aluminium. The clock and watch-makers' arts, the manufacturers of surgical and musical instruments, and of artificial teeth, and especially the manufacturers of fancy articles, such as seals, pen-holders, paper-weights, smokers’ and sportsmen's necessaries, shirt and sleeve buttons, canes and riding-whips, harness decorations, statuettes, gas-fixtures and lamps, and of other articles too numerous to mention, would without doubt derive much advantage and profit from the employment of aluminium, and sooner or later its peculiar fitness for these uses will be recognized.

For the manufacture of philosophical and engineering instru ments, and especially the latter, the indifference of aluminium to atmospheric influences and its extreme lightness, have of late met with general recognition, and the employment of the metal for these uses is steadily growing in favour.

For household utensils, likewise, aluminium has been highly recommended; but though, for this purpose as for others, neither a want of desirable properties nor excessive costliness have stood in the way of its introduction, it has been opposed by the despotic rule of custom or fashion, and in no instance with less show of reason. How much, for example, has been written and spoken concerning the danger of poisoning from the vessels employed in preparing food P How many warnings have been uttered against using copper cooking utensils, pots with lead glazing, and silver spoons that form verdigris? Were these household goods made of aluminium, we should be in possession of vessels that, so far as outward appearance and durability go, leave very little to be desired; that, furthermore, would be far more convenient to handle than the customary wares they would replace; and, what is of perhaps more importance, that would be perfectly innocuous. It appears somewhat curious that the experiment has never been tried of introducing the use of aluminium spoons. The present or prospective cost of aluminium can scarcely be offered as an objection thereto, for this is now only about one-half that of silver; while the difference in the specific gravity of the two metals is so considerable, that for the money value of one silver spoon of good quality, one might obtain no less than seven spoons of aluminium, of equal size and strength.

That prejudice and fashion are to some extent to blame for the general want of appreciation, and even total ignorance, of the eminently fitting characteristics of the new metal for a variety of uses, is very manifest; and the clearing away of such obstacles is generally a matter of great difficulty.

The alloys of aluminium are, however, worthy of special consideration, and there is a reasonable probability that a wide field of utility may be open for them in the future. Dr. Biedermann, referring to this subject, remarks, "although there is no mistaking the fact that the high expectations with which the appearance of aluminium filled the public mind have not been fulfilled, yet the aluminium industry has a safe guarantee of its existence in the use of the metal for aluminium alloys, which are capable of the most extensive use on account of their excellent qualities." The only aluminium alloys which have, however, acquired importance in the arts, are the so-called aluminium bronzes.

According to M. Morin, the director of the manufactory of Nanterre, very homogeneous alloys are obtained with copper and 5, 7½ and 10 per cent. of aluminium. The alloys with 5 and 10 per cent of aluminium are both of a golden colour, whilst that with 7½ per cent. has a greenish tint. Even so small an addition as I per cent. of aluminium to copper, according to another authority, considerably increases its ductility and fusibility, and imparts to it the property of completely filling the mould, making a dense casting free from air-bubbles. At the same time the copper becomes more resistant of chemical reagents, increases in hardness without losing in malleability, and unites in itself the most valuable qualities of bronze and brass. A copper alloy with 2 per cent. of aluminium is said to be used in the studio of Christofle, in Paris, for works of art. It works well under the chisel and graver.

The true aluminium bronzes, according to Rudolph Wagner, were first made by John Percy, in 1856. As above referred to, they are alloys containing 90 to 95 per cent. of copper with 10 to 5 per cent. of aluminium. The direct mixture, by first fusion, of 10 parts of aluminium and 90 of copper, gives a brittle alloy, which, however, increases in strength and tenacity by several successive fusions. At each operation a little aluminium is lost. After the compound has been melted three or four times, however, the proportion of aluminium does not appear to change, and the alloy may be again remelted several times without alteration. These fusions are effected in crucibles. The aluminium bronze is homogeneous, and possesses sufficient expan sion to fill the remotest parts of the mould. It affords sharp castings that can be worked more readily than steel. Aluminium bronze may be forged at a dull red-heat, and hammered until cooled off without presenting any flaws or cracks. Like copper, it is rendered milder and more ductile by being plunged into cold water when hot. The bronze polishes beautifully, and pos sesses great strength — according to Anderson's experiments, an average of 75,618½ lbs. per square inch. The resistance to compression is feeble. From the experiments of Col. Strange, on the relative rigidity of brass, ordinary and aluminium bronze, it appears that the last named is 40 times as rigid as brass, and 3 times as rigid as ordinary bronze.

Other experiments have shown that aluminium bronze does not expand or contract as much as ordinary bronze, or brass; that under the tool it produces long and resisting chips, does not clog the file, engraves nicely, etc.; that it is easily rolled into sheets; that in the melted state it expands very much, and is fit for the sharpest castings; but that, as it cools off rapidly, it is subject to shrinkage, and hence to cracks when the articles are bulky, hence requiring numerous runners and a heavy feeding head; and lastly, that, although not entirely unoxidizable, it is not so readily tarnished by contact with the air as polished brass, iron, steel, etc. Dr. Biedermann speaks very highly of this metal. "In the construction of physical, geodic, and astronomical instruments," he says, "it is far preferable to all other metals. In jewellery and articles of art and luxury it is employed in large quantities. Many kinds of house utensils are made of it, and it is also adapted to journal and axle boxes. Gun and pistol barrels, as well as rifled cannon, have been made of it, and have done excellent service." It has been highly recommended for type metal; type made of it last ing, it is affirmed, fully 50 times as long as those from common type metal; it has been employed for the bed of perforating machines for perforating postage stamps; and for the main-springs of watches (90 copper and 5 aluminium), being very hard and elastic, not magnetic, and less liable to rust than steel. Its price, however, ranging as it does from $3 to $10 per lb., according to its percentage of aluminium, is probably the greatest impediment to its common use.

Aluminium alloys with many other metals have been made — notably with silver and iron — but none of them have acquired a permanent value in the arts. They may be passed over with the brief remark that aluminium containing 4 per cent. of silver is employed for the beams of fine balances — for which it is peculiarly fitted from its comparative lightness and stability; and that the addition of a small percentage of aluminium to steel is claimed to impart special virtues to the latter — a claim which, however, has not yet been well established.

In another direction, namely, in electro-plating and coating other metals with aluminium, numerous experiments have been tried, but thus far without practical result.

A few words more concerning the process of manufacture and the present commercial importance of the metal, and we have done. Its metallurgical production is as follows:

Aluminium is manufactured by decomposing the double chloride of aluminium and sodium, with the aid of metallic sodium. The sodium (which, by the way, has been materially cheapened in price since the establishment of the aluminium industry) is obtained by heating to redness a mixture of one hundred parts of calcined soda, fifteen parts of chalk, and forty-five parts of coal. The chloride of aluminium is prepared by passing chlorine gas over a moderately heated mixture of pure alumina (obtained either from alum, or the mineral bauxite), common salt and coal-tar. This operation is conducted in an iron gas-retort, and the result of the interaction of the several substances present is the combination of the coal-tar with the oxygen of the alumina, and the production of aluminium chloride, which unites with the chloride of sodium (common salt), forming a double salt, which volatilizes and is passed off into a separate chamber, where it condenses. From this method of obtaining the chloride, it is impossible to keep it free from chloride of iron, for which reason it is invariably present in the Parisian aluminium. From this double chloride of aluminium and sodium, the metallic aluminium is obtained, either by passing it in the form of vapour over a heated surface of metallic sodium, in a simply constructed and connected system of iron cylinders appropriately heated; or the materials are at once mixed and heated.

Rose, of Berlin, instead of the artificially prepared aluminium chloride, employed the mineral kryolite (a natural compound oc curring in deposits of considerable magnitude in Greenland, and consisting of fluoride of aluminium and sodium) quite successfully. By heating this mineral with sodium, metallic aluminium and fluoride of sodium are produced, and the latter compound is gotten rid of by treating the resulting mass with caustic lime. Of late the metal has also been manufactured from the mineral bauxite.

At present there are four aluminium works in existence, of which three are in France and one in England. Their total production amounts to about 3,500 lbs. yearly, of which 2,000 lbs. are produced in France, 1,500 lbs. in England. Its market value has averaged about $15 per lb., and has been for some years stationary at that figure.

Polytechnic Review.

Japanese Wax

Practical Magazine 17, 1876

(Chemistry applied to the Arts, Manufactures, &c. Miscellaneous).

The chief wax-producing tree of Japan is Rhus succedanea. The fruit of Rhus vernicifera, which also contains wax, is used in the north of the country, but it gives an inferior product to that of Rhus succedanea, which flourishes only in the south. There it is found abundantly, especially in the islands of Kiushiu and Sikok, and is grown on dykes, roads, and the borders of fields, as well as near houses.

It is like all the rhus tribe in growth, and especially resembles the lac tree, but differs from it in dividing very much into strong branches near the ground, so that the chief stem is scarcely distinguishable. It also appears as if the tree was propagated by sprouts from the root. Its height seldom exceeds 30 ft. This small height in comparison with the peculiarly wide-spreading summit is characteristic of the tree.

The time for the appearance of new leaves is the month of April, and for blossoming, June. The fruit is ripe in October. When gathered in clusters, it is dried in the sun, and, after being taken from the stalks, sold to the wax manufacturers, by whom it is beaten while dry. The process employed is the same as the Japanese use for removing the husks from rice. A wooden tilt hammer worked by hand falls into a funnel-shaped wooden sort of trough, containing the material to be worked upon. By this operation, continued for a long time, the husk and softer part of the fruit are reduced to powder, while the inner stone remains and is separated by a sieve. By draughts of air blowing while the powder falls slowly from a height, the lighter husk is separated from the heavier part which contains the wax, but usually the latter is collected and again worked. In the poor island of Sikok a small per-centage of an inferior sort of wax is obtained by also grinding the stones.

The sifted powder containing wax is exposed to the action of steam in hempen sacks laid on bamboo wicker-work, so that the steam from a cauldron underneath may pass through. The contents are then, together with the sacks, subjected to considerable pressure, and the wax that flows out is received in the forms in which it goes to market. The instruments of pressure are usually of the most primitive sort.

The further treatment of the wax is very simple. In special bleaching works the raw wax is melted, pressed through strong cotton sacks, and dropped into moving cold water, by which means it is obtained in crumpled thin flakes and small pieces, which are bleached in the sun. For this purpose the wax is laid in shallow baskets, 2½ ft. long and 1 ft. broad, which are placed in long rows, often by thousands, in the open air. Here the wax is repeatedly turned according to the intensity of the sun's heat, and sprinkled with water, and, if necessary, even a second time melted. The wax then assumes a perfectly white colour.

The total export of wax from Japan for the year 1874 amounted to 1128 tons. The chief markets for this product are Nagasaki, Kobe (Hiogo), and Osaka. It is sent chiefly to China and London.

- Oesterreichische Monatsscrift für den Orient, April 15, 1876.

The Lac Tree.

Practical Magazine 17, 1876

(Chemistry applied to the Arts, Manufactures, &c. Miscellaneous).

Lac is a varnish which can hardly be impaired, and possesses a transparent brightness. It is applied to every variety of useful and fancy articles. It is found abundantly in Japan and China, but the Japanese lac is far superior in quality to the Chinese. This product has long been much sought after by European countries, and it is the most important article of export. Wax is extracted from the fruit of the lac tree, and Japan derives large profits from traffic in this substance.

There are two lac trees, the male and the female. The male bears no fruit. It is not till the trees have reached the age of four or five years that any use is made of them. Produce is obtained from them for only three years, and after that they are cut down. The Japanese propagate the tree either by seed or cuttings. The former method produces seedlings of inferior quality.

For extracting the lac account is taken of the quality of the soil, the size of the tree, and its height. A horizontal gash is made in the bark with an implement called kaki-gama, a sort of double hook, then an incision in the middle of the gash. Through this opening the lac flows, which is taken up with an iron knife and poured into a vessel fastened to the girdle of the collector, who makes incisions in one tree after another for four days. He then goes back to the first tree, makes a gash above the former one, and repeats the operation on each of the trees previously cut. The incisions are begun again in the same order from below upwards until the whole tree has been gashed, after which the tree is cut down.

The branches are cut off, made into a bundle, and put in water for ten or twenty days. If they are large, incisions are made in them with the kaki-gama. For small branches a small-bladed instrument is used, which cuts both ways.

- Les Mondes, March 23, 1876.

22.10.21

The change of Madder Red to Orange.

Practical Magazine 17, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

— M. C. STROBEL, while studying the action of nitrous vapours on various printed colours, found that they destroyed most aniline colours and indigo blue, but brightened vapour greens and blues. He then applied them to madder red, and obtained a beautiful orange, which does not turn to red under the action of boiling soap-baths.

The experiment answered as well with vapour reds as with those obtained by dyeing on textures, whether oiled or not. His mode of operation is this. Into a wooden case containing the coloured texture he introduces the nitrous vapours obtained by the action of nitric acid on starch. The gas is previously cooled by passing through a flask surrounded with water. An exposure of four or five minutes is necessary to effect the change of the red. If the operation is interrupted before that time, the orange obtained will turn to brown under the action of soap and alkalies.

M. Strobel’s observation is new, and its importance will be appreciated by all who are engaged in dyeing textures. If the process above described cannot be employed in industry now, the time may be anticipated when the substance which produces this beautiful orange can be prepared directly, and applied to textures. We shall then have another fast colour which will not fail to be extensively used.

- Bulletin de la Société Industrielle de Mulhouse

.

Direct Production of Methylaniline on Cotton.

Practical Magazine 17, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

Methylaniline salts in presence of oxidising agents, such as salts of copper, chlorates, &c., produce Paris violet. These conditions of formation resemble those of aniline black. It might therefore be supposed that violet can be produced by the aniline black formula, aniline being replaced by its derivative. But this is not the case, the violet being destroyed by a further action.

If a solution of neutral chlorate of methylaniline (to 3 or 4 per cent. of the base) or with an excess of base, be printed, a violet colour more or less bright is obtained after an exposure of eight or ten days at a temperature of 86° to 95° F. The addition of one-fourth to a half per cent of red prussiate brings out the colour in two or three days. The solution of chlorate should not be acid, nor the place of exposure too damp. The addition of salts of copper to the chlorate of methylaniline does not give satisfactory results.

The colouring matter obtained directly on the textile fabric does not differ from Paris violet except in brightness of tone. Boiling water takes away the violet and leaves nothing but grey, a secondary product of the re-action.

- Bulletin de la Société Industrielle de Mulhouse

Walnut Husks.

Practical Magazine 17, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

Though as a general rule good use is made of the materials furnished by nature for purposes of art, some are thrown away as useless through want of thought. To this class belong the green outer husks of walnuts, which have long been known to possess colouring matter, but have not received the attention they deserve. They contain a yellow brown, remarkably fast dye, which is well suited for dyeing woollen and cotton materials, staining wood, &c., and would serve the same purposes as colouring substances on which large sums are expended. Wool requires no mordant, &c., when dyed with them, is very soft to handle, and not like that dyed with vitriol. The dyeing is as simple as it is cheap. The shades of colour obtained are from bright to dark brown, pleasing to the eye, and very fast. In many places the husks may be got for nothing. They may be simply kept dried till used, or packed moist in tubs, by which means their colouring power is further increased.

- Muster Zeitung.

The influence of Acids in Dyeing with Madder and its Artificial Substitutes.

Practical Magazine 17, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

In a paper on this subject, communicated to the "Bulletin de la Société Industrielle de Mulhouse," M. Rosenstrehl, shows that alizarine and the colours related to it deprive carbonic and acetic acids of their salts, so as to form lakes with simple bases which are themselves decomposed by the same acids. In presence of the oxides of aluminium and iron this deprival is more complete, and extends even to salts with energetic base, such as the nitrates and chloride of calcium. There are then formed lakes with double base.

He also shows the important part which carbonic acid, naturally dissolved in water, performs in the operation of dyeing, indicates the cause of the divergences that exist between the results of experiments in the laboratory and those of industrial operations, and suggests means of putting an end to the disagreement. He proposes the substitution of acetate of calcium for the carbonate, as being more advantageous, and incidentally mentions the peculiar dissolving action which acetate of sodium exercises when hot on the colouring materials of which he has treated.

The importance of Lime in Dyeing with madder.

Practical Magazine 17, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

M.ROSENTHIEL has been studying the importance of lime in dyeing with madder and its derivatives. He shows that lime is fixed on textile fabrics at the same time as the colouring substances, and that a beautiful bright red on cotton contains alumina and lime, in the proportion of four atoms of aluminium to three of calcium. Rosenthiel experimented with a solution of bicarbonate of lime in the proportion of a gramme (15½ grs. troy) per litre (1¾ pt.). Pseudo-purpurine does not hold unless distilled water is used, and its tints are removed by soap. An addition of solution of lime weakens the dyeing bath. If the addition is so strong that a lake is formed with an atom of calcium, all the pseudo-purpurine will be lost and precipitated. Carbonic acid does not re-act on the insoluble lake. This is the reason why pseudo-purpurine is of no importance in dyeing with madder, which always requires the addition of a small quantity of carbonate of lime. Madder from Avignon contains this quantity of itself, but that of Alsace requires some to be added. On dyeing with Alsace madder — that is to say with a mixture of pseudo-purpurine, alizarine, and purpurine — in water free from lime, the pseudo-purpurine is first fixed on the mordant, then only the purpurine. The alizarine scarcely comes into consideration. The colours cannot be firm, being principally formed of pseudo-purpurine, and consequently do not resist soap, acid, and light. By the addition of chalk, on the contrary, the alizarine is first fixed on the mordant, and forms with the purpurine the true madder red, being also that obtained with Avignon madder. The pseudo-purpurine is again found under the form of an insoluble lake in the dyeing bath, and is lost for dyeing purposes, as well as a little of the purpurine and alizarine.

To supply this loss, the madder-dyeing baths are poured into basins apart, where the deposit takes place. The deposit, having been separated, is treated with boiling acid diluted with water. By this process the lakes are decomposed, and the pseudo-purpurine is brought to the condition of purpurine. The final product is garancine of spent madder, and for the most part contains purpurine. It is employed in the form of cakes, and takes the place of garancine, but is naturally of less value. With the hydrate of purpurine a beautiful red may be obtained in a direct way, without the use of a soap bath, which only increases the brightness of the colour.

The hydrate of purpurine, called orange colouring matter, is of no importance for dyeing, which is true of pseudo-purpurine also. Hence the only colouring matters of importance for dyeing are the purpurine and alizarine. It is easy with them to obtain all the shades required. Carbonate of lime is indispensable to the alizarine, which requires the quantity necessary to form alizarate of lime. A larger quantity is injurious, since a combination of two atoms of lime gives a deep violet blue colour, which, being scarcely soluble, has little dyeing power. If a small quantity of alizarine is boiled in water charged with lime, the liquid is coloured violet, and preserves this colour for several days. The purpurine treated in the same way gives a rose colour, which disappears after a few hours.

On dyeing with a mixture of alizarine and purpurine in distilled water, it is chiefly the purpurine that operates, even when the two are employed in equal quantities. If, on the contrary, the water is charged with lime, it is chiefly the alizarine that forms the red, and on the addition of chalk the red becomes more and more violet, while the purpurine is precipitated in the form of an insoluble lime lake.

Consequently there is a means of producing any shade what ever with the same mixture of alizarine and purpurine, by varying the proportions of chalk. This explains why often with the same garancine at one time a red may be obtained (with a small quantity of chalk), and at another a beautiful violet (with a larger quantity of chalk).

- Moniteur Industriel Belge, March 20, 1876.

A Gold Varnish.

Practical Magazine 17, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

Researches made by M. KAYSER, of Nuremberg, have shown that a gold varnish, distinguished both by its hardness and beautiful colour, may be obtained by the use of picric and boracic acid. A very pure solution of gum lac should be mixed with picric acid and about half per cent. of crystallized boracic acid, the two acids having been previously dissolved in alcohol. In this way a gold varnish may be prepared, possessing all the advantages of those that are met with in commerce.

- Technologiste, March 18, 1876.

21.10.21

Tungstate of Zinc as a Colouring Substance.

Practical Magazine 17, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

If to a solution of tungstate of soda be added a solution of a salt of zinc, a snow-white tungstate of oxide of zinc is immediately set free, which covers well, and may be especially recommended for fine painting. As an oil colour it is said to be preferable to all white colouring substances.

- Polytechnisches Notizblatt.

New Vegetable Colouring Matter.

Practical Magazine 17, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

In Tahiti there is a tree of the Musaceæ family, called Musa Fehii, which grows chiefly in high places, and the fruit of which is eaten like that of the banana. In the early stages of its growth it yields a sticky, neutral juice, which in a thin layer is strawberry red, and in a thick layer blue violet. It keeps pretty well in a closed vessel, but if allowed to rest long, deposits a violet substance forming threads, and behaving like caoutchouc with solvents. The liquid, after being freed from this substance, may mix in any proportion with water and alcohol without getting thick, and then has so intense a colour that it may be diluted with five times its weight of water without any apparent weakening of its tint. Its taste is astringent, and with gelatine it gives an abundant precipitate which takes away the colour. Weak alkaline solutions make it turn to green, without producing any precipitate. Salts of lime cause an insoluble tannate precipitate, which takes away the colour. Acids make it change to a reddish colour, sulphate of iron produces a beautiful blue precipitate, and acetate of iron a blackish precipitate, like that of tannate of iron. Salts of zinc and copper colour it blue, without producing any precipitate, while acetate of lead gives a violet blue precipitate. Perchloride of tin developes a violet lake of peculiar vivacity of tone.

A trial of this new colour on yarn was made with part of the juice, freed, as stated above, from the caoutchouc substance, and diluted with five parts of water. On cotton treated with alum the liquid produced a pale violet bordering on grey, but on cotton prepared with a solution of tin the violet was very fine. The yarn, being first put into the bath of tin, and then into one of iron, and afterwards dyed, gave a deep saturated brown. On flax the same tints, but brighter, were obtained. Silk prepared with a solution of tin, and put into the dyeing-bath, took a bright grey tint.

- Polytechnisches journal.

19.10.21

Arnotto Yellow on Cotton.

Practical Magazine 17, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

Arnotto is one of the few colouring matters which can be applied to cotton fibre directly without a mordant, and which are extensively used for cotton printing and dyeing in general. The ordinary methods of applying it are attended with some uncertainty and inconvenience. Sometimes the yellow is too bright or too deep, sometimes pure yellow or reddish yellow, and moreover, the colour will not always stand well.

M. KIELMEYER has observed that a mixture of alcohol and a soda lye dissolves the yellow and red ingredients of arnotto much more completely than either of these solvents alone. Hence he has sought and found a new formula for the yellow of arnotto, which practice has confirmed. It requires only half the lye necessary with other formulae, while it ensures the duration and permanence of the printed colour by reducing to a minimum the injurious influence on the browns and reds, and by brightening the yellow colour.

He puts 66 lbs. of arnotto in 5¼ galls. of alcohol, and adds to it, while continually stirring, 2½ galls. of a soda lye of 1,598 spesific gravity. The whole having a temperature of 113° to 122°F., is left for a night in a copper boiler. The liquid is then drawn off, and the undissolved residuum is collected on a metallic sieve, carefully pressed, and treated with 7¾ galls. of boiling water to free it from all solution of arnotto mechanically adhering to it. The watery bright yellow solution, after having cooled, is added to the preceding alcoholic solution, and the whole is thickened with 13 lbs. of gum tragacanth mucilage.

The shade which is obtained on cotton with this printing co lour, after evaporation and washing, is a very intense orange yellow, which is not dear, for notwithstanding the use of alcohol, the colour costs less than that prepared by the ordinary formulae, because it admits of much less arnotto, which is a direct proof that by this treatment of arnotto there is less reason to fear loss of colour by decomposition.

If a brighter shade is desired, with less orange in it and more approaching canary yellow, as for very thin pocket handker chiefs, aluminate of soda and a decoction of yellow berries are to be added to the diluted colour. The ammoniacal solution of turmeric is not to be recommended, because it cannot be kept in any quantity for more than two or three hours.

- Polytechnisches journal.

Dyeing Wool in Scarlet, Salmon, and Rose Colour with the Same Bath.

Practical Magazine 17, 1876

(Chemistry applied to the Arts, Manufactures, &c.
Dyeing, Calico Printing, Bleaching, Tanning, and Allied Subjects.)

M. F. SPRINGMUHL gives the following receipt for a scarlet bath which will also produce salmon and rose colours. The scarlet dye is produced by a liquid composed as follows for 110 lbs. of yarn:

11 lbs. of cochineal of good quality,
3¾ lbs. of salt of tin,
6¼ lbs. of oxalic acid,
11 lbs. of Dyer’s spirit,
¼ lb. of flavine.

Boil for a quarter of an hour, then let it cool, and you have a scarlet dye into which the yarn is to be dipped. Then boil gradually, and keep up the boiling for an hour.

If 5½ lbs. of oxalic acid and 2¾ lbs. of salt of tin be added, boiled for a quarter of an hour, and then cooled, salmon colour may be obtained by treating the yarn as above.

If to this second bath 6½ lbs. of Dyer's spirit, and 4 lbs. of cochineal be added, then boiled, and suffered to cool, the yarn may be dyed a deep rose colour. If, lastly, 3¾ lbs. of Dyer's spirit be added, the yarn will have a bright rose colour. If too much flavine is used with the first bath, the rose tints cannot be obtained.

Dyer’s spirit is thus prepared:–
6 gallons of water,
33 lbs. of acetic acid,
2¾ lbs. of hydrochloric acid,
6 lbs. of grated tin, which is added in small quantities

- Technologiste